McqMate
| 101. |
Which is not a publishing software |
| A. | Page maker |
| B. | Indesign |
| C. | Quark xpress |
| D. | 3D max |
| Answer» D. 3D max | |
| 102. |
One of the following is an operating system |
| A. | Corel Draw |
| B. | Gnu linux |
| C. | Acrobat |
| D. | MS access |
| Answer» B. Gnu linux | |
| 103. |
A smallest element in digital image |
| A. | Pixels |
| B. | Bitmap |
| C. | Resolution |
| D. | Vector Images |
| Answer» A. Pixels | |
| 104. |
SLR |
| A. | Single Lens Reflex |
| B. | Semi Lens Reflector |
| C. | System Linear Remote |
| D. | Specification of Lens range |
| Answer» A. Single Lens Reflex | |
| 105. |
Graphic design |
| A. | Visual communication design |
| B. | Design on graph paper |
| C. | Drawing a graph |
| D. | None of the above |
| Answer» A. Visual communication design | |
| 106. |
Pixel |
| A. | Amount of colors in a picture |
| B. | Smallest element in a picture |
| C. | Size of the picture |
| D. | None of the above |
| Answer» B. Smallest element in a picture | |
| 107. |
How to create PDF files from QuarkXPress |
| A. | Create PostScript file and rendered to PDF |
| B. | Save as PDF |
| C. | Page setup as PDF |
| D. | None of the above |
| Answer» A. Create PostScript file and rendered to PDF | |
| 108. |
HTML |
| A. | Hyper text making list |
| B. | Hyper textmark up language |
| C. | Hypermedia text materials |
| D. | None of the above |
| Answer» B. Hyper textmark up language | |
| 109. |
Decrease Image in Quark xpress |
| A. | Ctrl-Alt-Shift-< |
| B. | Ctrl-Alt-Shift-{ |
| C. | Ctrl-Shift-} |
| D. | Ctrl-Alt-Shift-9 |
| Answer» A. Ctrl-Alt-Shift-< | |
| 110. |
Increase Image in Quark xpress |
| A. | Ctrl-Shift-Drag |
| B. | Ctrl-Alt-Shift-> |
| C. | Ctrl-Shift-M |
| D. | Ctrl-Shift-F |
| Answer» B. Ctrl-Alt-Shift-> | |
| 111. |
Scale Box and Contents in Quark xpress |
| A. | Ctrl-Alt-Shift-< |
| B. | Ctrl-Alt-Shift-{ |
| C. | Ctrl-Drag |
| D. | Ctrl-Shift-F |
| Answer» C. Ctrl-Drag | |
| 112. |
Center picture in Quark xpress |
| A. | Ctrl-Shift-Drag |
| B. | Ctrl-Alt-Shift-> |
| C. | Ctrl-Shift-M |
| D. | Ctrl-Shift-M |
| Answer» D. Ctrl-Shift-M | |
| 113. |
Decrease Preset Range in Quark xpress |
| A. | Ctrl-Shift-} |
| B. | Ctrl-Alt-Shift-9 |
| C. | Ctrl-Shift-< |
| D. | Ctrl-Shift-F |
| Answer» C. Ctrl-Shift-< | |
| 114. |
Press layout |
| A. | arranging text and image |
| B. | Arranging news |
| C. | Arranging printing equipments |
| D. | None of the above |
| Answer» A. arranging text and image | |
| 115. |
Master pages |
| A. | For uniform layout |
| B. | Facing page |
| C. | Ending page |
| D. | None of the above |
| Answer» A. For uniform layout | |
| 116. |
The main text of work not including the headlines. |
| A. | Leading |
| B. | Banner |
| C. | Body |
| Answer» C. Body | |
| 117. |
Arrangement of type and visual elements along with specifications for paper, ink colors and printing processes that, when combined, convey a visual message. |
| A. | Layout |
| B. | Proof |
| C. | Graphic Design |
| Answer» C. Graphic Design | |
| 118. |
Photo whose most important details appear in the shadows. |
| A. | Low Key Photo |
| B. | High key photo |
| C. | Desaturated photo |
| Answer» A. Low Key Photo | |
| 119. |
Proof of type and graphics as they will look on the finished page complete with elements such as headings, rules and folios. |
| A. | Page Proof |
| B. | Spoilage |
| C. | Manuscript |
| Answer» B. Spoilage | |
| 120. |
Test sheet made to reveal errors or flaws, predict results on press and record how a printing job is intended to appear when finished. |
| A. | Spoilage |
| B. | Layout |
| C. | Proof |
| Answer» C. Proof | |
| 121. |
The size of the printed material in its finished stage |
| A. | Gutter |
| B. | Margin |
| C. | Trim Size |
| Answer» C. Trim Size | |
| 122. |
A graphic divide that labels regularly appearing material by packaging the writer's name, the column's name and a small mug or drawing of the writer. |
| A. | Column logo |
| B. | Header |
| C. | Index |
| Answer» A. Column logo | |
| 123. |
small, detailed page diagram showing where all elements go. |
| A. | Blueprint |
| B. | Dummy |
| C. | Composition |
| Answer» B. Dummy | |
| 124. |
A special label for any regularly appearing section, page or story; also called a standing head. |
| A. | Header |
| B. | Byline |
| C. | Gutter |
| Answer» A. Header | |
| 125. |
A special headline treatment reserved for stories continued from another page. |
| A. | Jump headline |
| B. | Cutline |
| C. | Byline |
| Answer» A. Jump headline | |
| 126. |
One of the four standard colors used to produce full-color photos and artwork: Cyan (blue), magenta (red) yellow or black. |
| A. | Additive color |
| B. | Process color |
| C. | Primary color |
| Answer» B. Process color | |
| 127. |
Coding formats (size, leading, color, etc.) that can be applied instantly to selected text in desktop publishing programs. |
| A. | Paragraph |
| B. | Formats |
| C. | Style sheets |
| Answer» C. Style sheets | |
| 128. |
Formal statement of newspaper’s name, officers, place of publication and other descriptive information, usually on the editorial page. |
| A. | Dateline |
| B. | Masthead |
| C. | Teaser |
| Answer» C. Teaser | |
| 129. |
Red, yellow, orange |
| A. | Secondary colors |
| B. | Warm colors |
| C. | Cool colors |
| Answer» B. Warm colors | |
| 130. |
A grayed color. |
| A. | Gradient |
| B. | High key |
| C. | Tone |
| Answer» C. Tone | |
| 131. |
Secondary colors. |
| A. | Red, Yellow, Blue |
| B. | Orange, Green, Violet |
| C. | Blue,Green,Red |
| Answer» B. Orange, Green, Violet | |
| 132. |
Adjustment of horizontal space between two written characters. |
| A. | Aligning |
| B. | Kerning |
| C. | Leading |
| Answer» B. Kerning | |
| 133. |
The rule devised to give proportions of height to width when laying out text and illustrations to produce the most optically pleasing result. |
| A. | Leading line |
| B. | Rule of third |
| C. | Golden ratio |
| Answer» C. Golden ratio | |
| 134. |
Adjustment of horizontal space between two written characters. |
| A. | Kerning |
| B. | Leading |
| C. | Setting |
| Answer» A. Kerning | |
| 135. |
The degree of difference between the lightest and darkest parts of a picture. |
| A. | Brightness |
| B. | Contrast |
| C. | Luminous |
| Answer» B. Contrast | |
| 136. |
A function within a graphics application that assists in selecting or setting a color. |
| A. | Selection tool |
| B. | Color picker |
| C. | Paint Bucket tool |
| Answer» B. Color picker | |
| 137. |
What is the ideal resolution of an image for offset Printing |
| A. | 72 dpi |
| B. | 100 dpi |
| C. | 300 dpi |
| Answer» C. 300 dpi | |
| 138. |
Amount of space between lines of type. |
| A. | Byline |
| B. | Deck |
| C. | Leading |
| Answer» C. Leading | |
| 139. |
One sheet of paper in a publication. |
| A. | Legal |
| B. | Fold |
| C. | Leaf |
| Answer» C. Leaf | |
| 140. |
Line used as a graphic element to separate or organize copy. |
| A. | Rule |
| B. | Slice |
| C. | Column |
| Answer» A. Rule | |
| 141. |
A vertical area for type, used to constrain line length to enhance design and readability. |
| A. | Row |
| B. | Sidebar |
| C. | Column |
| Answer» C. Column | |
| 142. |
A non-standard headline (often with decorative type, rules, all caps, etc.) used to enhance the design of a feature story, photo spread or news package. |
| A. | Outline |
| B. | Byline |
| C. | Display headline |
| Answer» C. Display headline | |
| 143. |
Elements aligned so they're all even along their left margin. |
| A. | Flush right |
| B. | Flush left |
| C. | Justified |
| Answer» B. Flush left | |
| 144. |
A large capital letter set at the beginning of a paragraph. |
| A. | Type |
| B. | Icon |
| C. | Initial cap |
| Answer» C. Initial cap | |
| 145. |
Art or text set inside other art or text. |
| A. | Body |
| B. | Type |
| C. | Inset |
| Answer» C. Inset | |
| 146. |
A block of information, including staff names and publication date, often printed on the editorial page. |
| A. | Banner |
| B. | Footer |
| C. | Masthead |
| Answer» C. Masthead | |
| 147. |
Text that's indented around a photo or artwork; also called a run around or skew. |
| A. | Wraparound |
| B. | Bold |
| C. | Italic |
| Answer» A. Wraparound | |
| 148. |
A form has height, width, and depth. |
| A. | 3D |
| B. | 2D |
| C. | 4D |
| Answer» A. 3D | |
| 149. |
You can actually feel slick, smooth, rough, velvety, satiny, and bumpy |
| A. | Pattern |
| B. | Real texture |
| C. | Bitmap |
| Answer» B. Real texture | |
| 150. |
Colors that are side by side on the color wheel. |
| A. | Analogous colors |
| B. | Achromatic colors |
| C. | Complementary colors |
| Answer» A. Analogous colors | |
| 151. |
Shows a difference between the elements of art. |
| A. | Texture |
| B. | Color |
| C. | Contrast |
| Answer» C. Contrast | |
| 152. |
A shape is an area enclosed by an outline. |
| A. | 2-D |
| B. | 3D |
| C. | Form |
| Answer» A. 2-D | |
| 153. |
Primary colors |
| A. | Orange, green, violet |
| B. | Red,Yellow,Blue |
| C. | Red,Green,Orange |
| Answer» B. Red,Yellow,Blue | |
| 154. |
Space added between lines of type to space out text and provide visual separation of the lines. |
| A. | Kerning |
| B. | Leading |
| C. | Setting |
| Answer» B. Leading | |
| 155. |
The way in which the elements in visual arts are arranged to create a feeling of equilibrium in a work of art. |
| A. | Balance |
| B. | Harmony |
| C. | Unity |
| Answer» B. Harmony | |
Done Reading?