| 1. |
Action |
| A. | the scene description, character movement, described in a screenplay |
| B. | font character |
| C. | action script |
| D. | none of the above. |
| Answer» A. the scene description, character movement, described in a screenplay | |
| 2. |
AERIAL SHOT |
| A. | shot be taken from a plane |
| B. | wide angle shot |
| C. | shot taken by macro lens |
| D. | none of the above. |
| Answer» A. shot be taken from a plane | |
| 3. |
ANGLE ON |
| A. | scenes taking place in large settings |
| B. | scene taking place in corner |
| C. | scene in a room |
| D. | none of the above. |
| Answer» A. scenes taking place in large settings | |
| 4. |
Beat |
| A. | the actor should pause a moment, in silence, before continuing the scene |
| B. | statement |
| C. | interview |
| D. | none of the above. |
| Answer» A. the actor should pause a moment, in silence, before continuing the scene | |
| 5. |
b.g. |
| A. | curtain |
| B. | anything occurring in a rear plane of action |
| C. | below ground |
| D. | none of the above. |
| Answer» B. anything occurring in a rear plane of action | |
| 6. |
Character |
| A. | character actor |
| B. | the character\s name can then be written in script |
| C. | behavior |
| D. | none of the above. |
| Answer» B. the character\s name can then be written in script | |
| 7. |
INSERT |
| A. | insert an actor |
| B. | bring something very small into full frame |
| C. | inserting a page |
| D. | none of the above |
| Answer» B. bring something very small into full frame | |
| 8. |
Extreme Long Shot |
| A. | to give a general impression rather than specific information |
| B. | large size of shot |
| C. | big close up |
| D. | none of the above |
| Answer» A. to give a general impression rather than specific information | |
| 9. |
Long Shot |
| A. | showing the entire human body |
| B. | showing close up |
| C. | showing apart |
| D. | none of the above |
| Answer» A. showing the entire human body | |
| 10. |
Medium Shot |
| A. | a figure from the knees/waist up |
| B. | full figure |
| C. | back ground |
| D. | none of the above |
| Answer» A. a figure from the knees/waist up | |
| 11. |
Close-Up |
| A. | this shows very little background, and concentrates on either a face |
| B. | full figure |
| C. | action |
| D. | none of the above |
| Answer» A. this shows very little background, and concentrates on either a face | |
| 12. |
Extreme Close-Up |
| A. | an extreme version of the close up |
| B. | long shot of a character |
| C. | full figure |
| D. | none of the above |
| Answer» A. an extreme version of the close up | |
| 13. |
CLOSE ON |
| A. | shot description for a close-up |
| B. | closing of shots |
| C. | start |
| D. | none of the above |
| Answer» A. shot description for a close-up | |
| 14. |
CLOSER ANGLE |
| A. | new angle nearer to the subject. |
| B. | corner of an interior room |
| C. | close up |
| D. | none of the above |
| Answer» A. new angle nearer to the subject. | |
| 15. |
CONTINUOUS |
| A. | action that moves from one location to another without any interruptions in time |
| B. | continuity |
| C. | page continuity |
| D. | none of the above |
| Answer» A. action that moves from one location to another without any interruptions in time | |
| 16. |
CRAWL |
| A. | superimposed titles move across on screen |
| B. | a camera movement |
| C. | an equipment |
| D. | a trolley. |
| Answer» A. superimposed titles move across on screen | |
| 17. |
CROSSFADE: |
| A. | fade to black then fade to next scene |
| B. | cross fire |
| C. | crossing of unwanted elements |
| D. | none of the above |
| Answer» A. fade to black then fade to next scene | |
| 18. |
Dialog |
| A. | people are supposed to say according to the script |
| B. | discussion with script writer and director |
| C. | title card |
| D. | none of the above |
| Answer» A. people are supposed to say according to the script | |
| 19. |
Director |
| A. | head of an institution |
| B. | person converting a script into a movie. |
| C. | set designer |
| D. | none of the above |
| Answer» B. person converting a script into a movie. | |
| 20. |
DISSOLVE TO |
| A. | a common transition |
| B. | dissolving materials |
| C. | solving an issue |
| D. | none of the above |
| Answer» A. a common transition | |
| 21. |
Dolly |
| A. | a mechanism for camera movement |
| B. | a chair carrying actors |
| C. | a game |
| D. | none of the above |
| Answer» A. a mechanism for camera movement | |
| 22. |
ESTABLISHING SHOT |
| A. | establishment |
| B. | beginning of a film to suggest where the story takes place |
| C. | final shot |
| D. | none of the above |
| Answer» B. beginning of a film to suggest where the story takes place | |
| 23. |
EXT. |
| A. | scene takes place out of doors |
| B. | extra actor |
| C. | extra properties |
| D. | none of the above |
| Answer» A. scene takes place out of doors | |
| 24. |
EXTREMELY LONG SHOT (XLS): |
| A. | very long distance from the subject or action |
| B. | panoramic shot |
| C. | close up shot |
| D. | none of the above |
| Answer» A. very long distance from the subject or action | |
| 25. |
FADE OUT |
| A. | image appear in to frame |
| B. | image slowly disappear to black |
| C. | image transit to another frame |
| D. | none of the above |
| Answer» B. image slowly disappear to black | |
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