| 1. |
Creating a storyboard of a video programme is usually at |
| A. | production stage |
| B. | after the shoot |
| C. | pre production stage |
| D. | scripting stage |
| Answer» C. pre production stage | |
| 2. |
High angle shot indicates that the camera is positioned …………the subject |
| A. | below |
| B. | above |
| C. | at the eye level |
| D. | opposite |
| Answer» B. above | |
| 3. |
_________ light method measures light intensity falling upon a subject from each lamp direction in turn. |
| A. | incident |
| B. | reflected |
| C. | surface brightness |
| D. | none of the above |
| Answer» A. incident | |
| 4. |
A system of numbering that allows you to find out any recorded image with pinpoint accuracy is known as…………….. |
| A. | time bar |
| B. | frame code |
| C. | frame rate |
| D. | time code |
| Answer» B. frame code | |
| 5. |
A colored lens or paper that is placed in between the light source and the subject to either darken or lighten a particular colour is a………. |
| A. | filter |
| B. | transparency |
| C. | barn door |
| D. | aperture |
| Answer» A. filter | |
| 6. |
… ………….is a process of converting analog audio into digital audio |
| A. | sampling |
| B. | recording |
| C. | stretching |
| D. | digitizing |
| Answer» D. digitizing | |
| 7. |
_________ shots do not allow audiences to see details |
| A. | close-up |
| B. | long |
| C. | medium |
| D. | none of the above |
| Answer» B. long | |
| 8. |
One-line treatment is usually done at the ………. |
| A. | pre production |
| B. | post production |
| C. | production stage |
| D. | scripting stage |
| Answer» D. scripting stage | |
| 9. |
……. refers to the varying levels of brightness and darkness within a particular scene. |
| A. | contrast |
| B. | exposure |
| C. | balance |
| D. | none of the above |
| Answer» A. contrast | |
| 10. |
Take is a version of a……….. |
| A. | shot |
| B. | scene |
| C. | sequence |
| D. | mise-en scene |
| Answer» A. shot | |
| 11. |
……………refers to the number of samples recorded per second from the source audio |
| A. | sampling rate |
| B. | resolution |
| C. | kerning |
| D. | bit depth |
| Answer» D. bit depth | |
| 12. |
The light source that casts sharp, well define shadows is called ………… |
| A. | key light |
| B. | fill light |
| C. | set light |
| D. | hard light |
| Answer» D. hard light | |
| 13. |
The simplest and most used transition technique for building a link between two distinct shots is |
| A. | fade |
| B. | dissolve |
| C. | cut |
| D. | wipe |
| Answer» B. dissolve | |
| 14. |
Rule of thirds is a concept related to …………………. |
| A. | trimming |
| B. | composition |
| C. | tracking |
| D. | lighting |
| Answer» B. composition | |
| 15. |
________microphone is not sensitive to handling and has wide range of applications |
| A. | condenser |
| B. | dynamic |
| C. | ribbon |
| D. | none of the above |
| Answer» A. condenser | |
| 16. |
MFD stands for ________________ |
| A. | minimum focusing distance |
| B. | maximum focusing |
| C. | distance minimum focusing direction |
| D. | none of the above |
| Answer» A. minimum focusing distance | |
| 17. |
A signal to an anchor or presenter to start talking or begin his action is termed as………. |
| A. | cue |
| B. | call |
| C. | order |
| D. | none of the above |
| Answer» A. cue | |
| 18. |
_________ shots allows audiences to see details |
| A. | close-up |
| B. | long |
| C. | medium |
| D. | none of the above |
| Answer» A. close-up | |
| 19. |
___________ tilting is associated with emotion, disappointment and sadness |
| A. | downward |
| B. | upward |
| C. | both 1 & 2 |
| D. | none of the above |
| Answer» C. both 1 & 2 | |
| 20. |
Video program is often structured for a ___________ audience format |
| A. | passive |
| B. | active |
| C. | restrictive |
| D. | none of the above |
| Answer» D. none of the above | |
| 21. |
A camera mounting that straps the camera to the body of the operator to keep the recorded image reasonably steady is known as …………. |
| A. | steadicam |
| B. | sturdycam |
| C. | studycam |
| D. | none of the above |
| Answer» A. steadicam | |
| 22. |
The number of minutes of tape used to shoot a sequence compared to the screen time of the finished product is known as |
| A. | shooting ratio |
| B. | canning ratio |
| C. | fog index |
| D. | screen index |
| Answer» A. shooting ratio | |
| 23. |
CONTINUOUS |
| A. | action that moves from one location to another without any interruptions in time |
| B. | continuity |
| C. | page continuity |
| D. | none of the above |
| Answer» A. action that moves from one location to another without any interruptions in time | |
| 24. |
CRAWL |
| A. | superimposed titles move across on screen |
| B. | a camera movement |
| C. | an equipment |
| D. | a trolley. |
| Answer» A. superimposed titles move across on screen | |
| 25. |
CROSSFADE: |
| A. | fade to black then fade to next scene |
| B. | cross fire |
| C. | crossing of unwanted elements |
| D. | none of the above |
| Answer» A. fade to black then fade to next scene | |
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