McqMate
1. |
Composite Video signal |
A. | analogue |
B. | digital |
C. | non linear |
D. | none of the above |
Answer» A. analogue |
2. |
PSNR |
A. | peak signal-to-noise ratio |
B. | programmable system for non linear recording |
C. | process system news recording |
D. | none of the above |
Answer» A. peak signal-to-noise ratio |
3. |
Digital video standards |
A. | ntsc |
B. | rgb |
C. | ymck |
D. | jpeg |
Answer» A. ntsc |
4. |
Analog video |
A. | svhs |
B. | dat |
C. | wav |
D. | mpeg |
Answer» A. svhs |
5. |
Digital video |
A. | encoded digital data |
B. | vhs |
C. | svhs |
D. | betacam |
Answer» A. encoded digital data |
6. |
Web Video |
A. | streaming |
B. | static |
C. | interface |
D. | none of the above |
Answer» A. streaming |
7. |
Multimedia |
A. | text, audio, images |
B. | print media |
C. | cassette media |
D. | none of the above |
Answer» A. text, audio, images |
8. |
Digital era |
A. | information age |
B. | lp record age |
C. | video cassette age |
D. | none of the above |
Answer» A. information age |
9. |
Final Cut Pro |
A. | video editing |
B. | sound mastering |
C. | image editing |
D. | none of the above |
Answer» A. video editing |
10. |
Action cutting |
A. | matching an action |
B. | removing an action |
C. | stopping an action |
D. | none of the above |
Answer» A. matching an action |
11. |
Rough cut |
A. | online editing |
B. | first process of editing |
C. | removing rough frames |
D. | none of the above |
Answer» B. first process of editing |
12. |
Cross cutting |
A. | parallel editing |
B. | diagonally cutting |
C. | removing frames |
D. | none of the above |
Answer» A. parallel editing |
13. |
VTR |
A. | video tape recording |
B. | video transferring and removing |
C. | vector tape recording |
D. | none of the above |
Answer» A. video tape recording |
14. |
Linear editing |
A. | ordered sequence |
B. | interactive |
C. | dynamic |
D. | none of the above |
Answer» A. ordered sequence |
15. |
Non-linear editing |
A. | non destructive editing |
B. | destructive editing |
C. | ordered sequence editing |
D. | none of the above |
Answer» A. non destructive editing |
16. |
EDL |
A. | educational documentary for learing |
B. | editing digital list of shots |
C. | edit decision list |
D. | none of the above |
Answer» C. edit decision list |
17. |
Video clips |
A. | short clips |
B. | documentary |
C. | you tube films |
D. | short films |
Answer» A. short clips |
18. |
Time line |
A. | chronological sequence |
B. | line tools |
C. | image format |
D. | video format |
Answer» A. chronological sequence |
19. |
FCP |
A. | final cut pro |
B. | financially costly project |
C. | final cost preparation |
D. | none of the above |
Answer» A. final cut pro |
20. |
Batch capturing |
A. | multiple clips |
B. | batch of property |
C. | capturing a group of people |
D. | none of the above |
Answer» A. multiple clips |
21. |
Scene structure |
A. | building block of script |
B. | frame of a story board |
C. | list of importing clips |
D. | none of the above |
Answer» B. frame of a story board |
22. |
Audio effects |
A. | artificially created enhanced sound |
B. | live recording from guitar |
C. | flute concert |
D. | none of the above |
Answer» A. artificially created enhanced sound |
23. |
Transitions |
A. | editing effects |
B. | transferring to digital |
C. | graphic design |
D. | static image |
Answer» A. editing effects |
24. |
Key frames |
A. | beginning or ending frame of transition |
B. | in between frame |
C. | title cards |
D. | none of the above |
Answer» A. beginning or ending frame of transition |
25. |
Audio mixer |
A. | console |
B. | mixing machine |
C. | broadcasting equipment |
D. | none of the above |
Answer» A. console |
26. |
Narration track |
A. | audio description |
B. | video description |
C. | animation |
D. | none of the above |
Answer» A. audio description |
27. |
Key frames |
A. | beginning frame |
B. | beginning and ending frame |
C. | ending frame |
D. | in between frame |
Answer» B. beginning and ending frame |
28. |
Morphing |
A. | editing two pictures in to one picture |
B. | transition from one frame to another |
C. | picture manipulation |
D. | merging of one or layer of a digital image |
Answer» B. transition from one frame to another |
29. |
MPEG |
A. | broadcasting |
B. | video compression |
C. | image compression |
D. | none of the above |
Answer» B. video compression |
30. |
Video format standard of India |
A. | ntsc |
B. | betacam |
C. | pal |
D. | indiform |
Answer» C. pal |
31. |
Video |
A. | 25 frames per second |
B. | 24 frames per second |
C. | 16 frames per second |
D. | 26 frames per second |
Answer» B. 24 frames per second |
32. |
Reverse Telecine |
A. | transfer of movie to video |
B. | transfer of video to movie |
C. | transfer of video to hard disc |
D. | transfer of video to cd |
Answer» B. transfer of video to movie |
33. |
AVID |
A. | digital editing |
B. | analogue editing |
C. | moviola editing |
D. | none of the above |
Answer» A. digital editing |
34. |
Colour temperature |
A. | characteristic of visible light |
B. | warm and cool color temperature |
C. | heat reflecting from color surface |
D. | none of the above |
Answer» A. characteristic of visible light |
35. |
Alpha Compositing |
A. | composing an image with background |
B. | first step of composing |
C. | final editing |
D. | none of the above |
Answer» A. composing an image with background |
36. |
____________________is a process of converting analog audio into digital audio |
A. | sampling |
B. | recording |
C. | stretching |
D. | digitizing |
Answer» D. digitizing |
37. |
Take is a version of a ____________________________ |
A. | shot |
B. | scene |
C. | sequence |
D. | mise-en scene |
Answer» A. shot |
38. |
_________ shots do not allow audiences to see details |
A. | close-up |
B. | long |
C. | medium |
D. | none of the above |
Answer» B. long |
39. |
In ___________ pan the camera pans as it follows a moving subject. |
A. | surveying |
B. | following |
C. | interrupted |
D. | whip |
Answer» B. following |
40. |
_______________refers to the number of samples recorded per second from the source audio |
A. | sampling rate |
B. | resolution |
C. | kerning |
D. | bit depth |
Answer» D. bit depth |
41. |
The light source that casts sharp, well define shadows is called _______________ |
A. | key light |
B. | fill light |
C. | set light |
D. | hard light |
Answer» D. hard light |
42. |
The simplest and most used transition technique for building a link between two distinct shots is |
A. | fade |
B. | dissolve |
C. | cut |
D. | wipe |
Answer» B. dissolve |
43. |
Track shot |
A. | dolly |
B. | trolly |
C. | tripod |
D. | none of the above |
Answer» A. dolly |
44. |
Wide angle lens |
A. | focal length is smaller |
B. | focal length is longer |
C. | large size of the lense |
D. | none of the above |
Answer» A. focal length is smaller |
45. |
Story board |
A. | illustrations in sequence |
B. | story about released film |
C. | advertorial |
D. | none of the above |
Answer» A. illustrations in sequence |
46. |
Depth of field |
A. | distance between the nearest and farthest objects |
B. | depth of back ground |
C. | depth of object |
D. | none of the above |
Answer» A. distance between the nearest and farthest objects |
47. |
Aspect ratio |
A. | ratio of width and height |
B. | ratio of width and depth |
C. | ratio of width and diagonal |
D. | none of the above |
Answer» A. ratio of width and height |
48. |
Match cut to: |
A. | a transition often used to compare two completely unrelated objects |
B. | cutting film |
C. | removing |
D. | none of the above |
Answer» A. a transition often used to compare two completely unrelated objects |
49. |
Match dissolve to |
A. | fade in |
B. | a match dissolve involves two objects of similar color, shape, |
C. | not a transition |
D. | none of the above |
Answer» B. a match dissolve involves two objects of similar color, shape, |
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