

McqMate
These multiple-choice questions (MCQs) are designed to enhance your knowledge and understanding in the following areas: Bachelor Multimedia Communication (BMMC) , Bachelor of Arts in Multimedia (BA Multimedia) .
1. |
What is the most common colour mode used for printing purpose? |
A. | cmyk |
B. | rgb |
C. | lab colour |
D. | ygb |
Answer» A. cmyk |
2. |
Pick the odd one out |
A. | proximity |
B. | proportion |
C. | texture |
D. | balance |
Answer» C. texture |
3. |
Pick the hexadecimal web-safe colour code for Red |
A. | #fef |
B. | #00f |
C. | #f00 |
D. | #eeo |
Answer» C. #f00 |
4. |
How many colour channels are available in an RGB image by default? |
A. | 4. |
B. | 3. |
C. | 2. |
D. | 1. |
Answer» B. 3. |
5. |
Which one of the following is the colour mode used by monitors? |
A. | cmyk |
B. | rgb |
C. | lab colour. |
D. | greyscale |
Answer» B. rgb |
6. |
How many colour channels are available in a greyscale image by default? |
A. | 4. |
B. | 3. |
C. | 2. |
D. | 1. |
Answer» D. 1. |
7. |
RYB |
A. | colour model for print |
B. | colour model for web |
C. | colour model for drawing |
D. | none of the above |
Answer» C. colour model for drawing |
8. |
Which one of the following is not a principle of design? |
A. | shape |
B. | contrast |
C. | unity |
D. | balance |
Answer» A. shape |
9. |
Creativity |
A. | origination of new thing |
B. | duplication |
C. | modified design |
D. | none of the above |
Answer» A. origination of new thing |
10. |
Visual Thinking |
A. | thinking through visual processing |
B. | thinking without imagination |
C. | thinking without ideas |
D. | none of the above |
Answer» A. thinking through visual processing |
11. |
A4 size |
A. | 20x19 cm |
B. | 29.7 x 21 cm |
C. | 28x22 cm |
D. | 30x20 cm |
Answer» B. 29.7 x 21 cm |
12. |
Perspective |
A. | parallel lines |
B. | effect of distance |
C. | bitmaps |
D. | none of the above |
Answer» B. effect of distance |
13. |
Background |
A. | farthest plane of the picture |
B. | nearest plane of the picture |
C. | base of the picture |
D. | none of the above |
Answer» A. farthest plane of the picture |
14. |
Design |
A. | concept of a work of art |
B. | print production |
C. | lamination |
D. | post production |
Answer» A. concept of a work of art |
15. |
Foreground |
A. | nearer view of an image |
B. | farthest view of a picture |
C. | bottom of the image |
D. | none of the above |
Answer» A. nearer view of an image |
16. |
Pattern |
A. | forms repeated in a design |
B. | form |
C. | content |
D. | proportion |
Answer» A. forms repeated in a design |
17. |
Proportion |
A. | the size relationships |
B. | unity |
C. | harmony |
D. | contrast |
Answer» A. the size relationships |
18. |
The arrangement of the visual elements |
A. | composition |
B. | unity |
C. | harmony |
D. | contrast |
Answer» A. composition |
19. |
Difference in colour and light |
A. | harmony |
B. | contrast |
C. | unity |
D. | balance |
Answer» B. contrast |
20. |
Contrast |
A. | difference against each other. |
B. | difference in elements |
C. | difference in image |
D. | none of the above |
Answer» A. difference against each other. |
21. |
Rhythm |
A. | alteration in sequence |
B. | abnormal change |
C. | equilibrium of elements |
D. | surface feel of an object |
Answer» A. alteration in sequence |
22. |
Balance |
A. | difference in elements |
B. | surface feel of an object. |
C. | the equilibrium of elements |
D. | abnormal change |
Answer» C. the equilibrium of elements |
23. |
Texture |
A. | difference in elements |
B. | difference in image |
C. | none of the above |
D. | the surface feel of an object. |
Answer» D. the surface feel of an object. |
24. |
Design |
A. | scheme of pictorial construction |
B. | organized collection of work. |
C. | post production |
D. | none of the above |
Answer» A. scheme of pictorial construction |
25. |
Three-dimensional: |
A. | height, width, and depth. |
B. | height, and width |
C. | height, and depth |
D. | none of the above |
Answer» A. height, width, and depth. |
26. |
Two-dimensional |
A. | height, width, and depth. |
B. | height, and width |
C. | height, and depth |
D. | none of the above |
Answer» B. height, and width |
27. |
Colour separation |
A. | print production |
B. | web production |
C. | post production |
D. | none of the above |
Answer» A. print production |
28. |
Portrait painting |
A. | full figure |
B. | head |
C. | group |
D. | landscape |
Answer» B. head |
29. |
Tint |
A. | amount of light reflected |
B. | a hue at a lighter value |
C. | a hue at a darker value |
D. | the reflection source of light |
Answer» B. a hue at a lighter value |
30. |
Shade |
A. | amount of light reflected |
B. | a hue at a lighter value |
C. | a hue at a darker value |
D. | the reflection source of light |
Answer» C. a hue at a darker value |
31. |
Tone |
A. | the character of a colour or value of a surface |
B. | a hue at a lighter value |
C. | a hue at a darker value |
D. | the reflection source of light |
Answer» A. the character of a colour or value of a surface |
32. |
High Light |
A. | the character of a colour or value of a surface |
B. | a hue at a lighter value |
C. | a hue at a darker value |
D. | the reflection source of light |
Answer» D. the reflection source of light |
33. |
Half tone |
A. | tone between the lighted and the shaded side |
B. | a hue at a lighter value |
C. | a hue at a darker value |
D. | the reflection source of light |
Answer» A. tone between the lighted and the shaded side |
34. |
Shade |
A. | deprived of direct light. |
B. | light rebounding from nearby surfaces |
C. | light obscured by an object. |
D. | the reflection source of light |
Answer» A. deprived of direct light. |
35. |
Reflected Light |
A. | deprived of direct light. |
B. | light rebounding from nearby surfaces |
C. | light obscured by an object. |
D. | the reflection source of light |
Answer» B. light rebounding from nearby surfaces |
36. |
Shadow |
A. | deprived of direct light. |
B. | light rebounding from nearby surfaces |
C. | light obscured by an object. |
D. | the reflection source of light |
Answer» C. light obscured by an object. |
37. |
An element of art that refers to the lightness or darkness of a color is a ……….. |
A. | value |
B. | form |
C. | space |
D. | intensity |
Answer» A. value |
38. |
Complementary colours are used to create…. |
A. | contrast |
B. | value |
C. | density |
D. | none of the above |
Answer» A. contrast |
39. |
………………. are colours that are found side by side on the colour wheel, used to create colour harmony. |
A. | analogous colours |
B. | complementary colours |
C. | warm colours |
D. | cool colours |
Answer» A. analogous colours |
40. |
…………………colours are tints and shades of one colour. |
A. | monochromatic colours |
B. | dichromatic colours |
C. | monolithic colours |
D. | bichromatic colours |
Answer» A. monochromatic colours |
41. |
………….. colours are a group of colours that consist of reds, yellows, and oranges. |
A. | cool |
B. | warm |
C. | uv |
D. | red |
Answer» B. warm |
42. |
……….. colours are group of colours that consist of purples, greens, and blues. |
A. | warm |
B. | cool |
C. | blue |
D. | pale |
Answer» B. cool |
43. |
………………….. is the arrangement of the objects in a given design as it relates to their visual weight within a composition |
A. | balance |
B. | unity |
C. | rhythm |
D. | dominance |
Answer» A. balance |
44. |
……………….relates to varying degrees of emphasis in design. |
A. | balance |
B. | unity |
C. | rhythm |
D. | dominance |
Answer» D. dominance |
45. |
……………… is the repetition or alternation of elements, often with defined intervals between them. |
A. | balance |
B. | unity |
C. | rhythm |
D. | dominance |
Answer» C. rhythm |
46. |
A…………………….rhythm occurs when the intervals between the elements, and often the elements themselves, are similar in size or length. |
A. | regular |
B. | flowing |
C. | progressive |
D. | none of the above |
Answer» A. regular |
47. |
A ………… rhythm gives a sense of movement, and is often more organic in nature. |
A. | regular |
B. | flowing |
C. | progressive |
D. | none of the above |
Answer» B. flowing |
48. |
Gesture Drawing |
A. | movement of action |
B. | landscapes |
C. | geometric drawing |
D. | none of the above |
Answer» A. movement of action |
49. |
Imagination |
A. | Ability of skill up gradation |
B. | Ability of forming new images |
C. | Ability to learn new |
D. | None of the above |
Answer» B. Ability of forming new images |
50. |
Aesthetics |
A. | Article dealing with science |
B. | Philosophy dealing with nature of art |
C. | Article on literature |
D. | Science of environment |
Answer» B. Philosophy dealing with nature of art |
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