

McqMate
These multiple-choice questions (MCQs) are designed to enhance your knowledge and understanding in the following areas: Bachelor Multimedia Communication (BMMC) .
101. |
Variations of one hue. |
A. | achromatic colors |
B. | analogous colors |
C. | monochromatic colors |
Answer» C. monochromatic colors |
102. |
The center-of-interest, which might be the largest, brightest, or lightest subject. |
A. | emphasis |
B. | image |
C. | body |
Answer» A. emphasis |
103. |
Adjustment of horizontal space between two written characters. |
A. | aligning |
B. | kerning |
C. | leading |
Answer» B. kerning |
104. |
Extra material used to complete a column or page, usually of little importance. |
A. | filler |
B. | gutter |
C. | inset |
Answer» A. filler |
105. |
Adjustment of horizontal space between two written characters. |
A. | kerning |
B. | leading |
C. | setting |
Answer» A. kerning |
106. |
The first sentence or first few words of a story's lead, set in a font size larger than the body text of the story. |
A. | kicker |
B. | initial cap |
C. | headline |
Answer» A. kicker |
107. |
Space added between lines of type to space out text and provide visual separation of the lines. |
A. | kerning |
B. | leading |
C. | setting |
Answer» B. leading |
108. |
An article that shows the opinion of a newspaper |
A. | banner |
B. | byline |
C. | leader |
Answer» C. leader |
109. |
The area of page without text, image or other elements |
A. | positive space |
B. | negative space |
C. | white space |
Answer» B. negative space |
110. |
First line of a paragraph appearing on the last line of a column of text. |
A. | deck |
B. | orphan |
C. | subhead |
Answer» B. orphan |
111. |
The way in which the elements in visual arts are arranged to create a feeling of equilibrium in a work of art. |
A. | balance |
B. | harmony |
C. | unity |
Answer» A. balance |
112. |
Difference between two or more elements ,such as value, color, texture, in a composition also, the degree of difference between the lightest and darkest parts of a picture. |
A. | contrast |
B. | balance |
C. | symmetry |
Answer» A. contrast |
113. |
Juxtaposition of dissimilar elements in a work of art |
A. | balance |
B. | contrast |
C. | asymmetry |
Answer» C. asymmetry |
114. |
The degree of difference between the lightest and darkest parts of a picture. |
A. | brightness |
B. | contrast |
C. | luminous |
Answer» B. contrast |
115. |
Special stress given to an element to make it stand out. |
A. | pattern |
B. | rhythm |
C. | emphasis |
Answer» C. emphasis |
116. |
The principle of design dealing with the creation of action. |
A. | pattern |
B. | movement |
C. | rhythm |
Answer» B. movement |
117. |
Anything repeated in a predictable combination. |
A. | pattern |
B. | rhythm |
C. | proximity |
Answer» A. pattern |
118. |
Intentional, regular repetition of lines of shapes to achieve a specific repetitious effect or pattern |
A. | texture |
B. | rhythm |
C. | clipart |
Answer» B. rhythm |
119. |
A type of balance in which both sides of a composition are balanced yet different. |
A. | symmetrical |
B. | asymmetrical |
C. | rhythmical |
Answer» B. asymmetrical |
120. |
A plan for selecting colors for a composition is also known as a ________. |
A. | color swatch |
B. | color mix |
C. | color scheme |
Answer» C. color scheme |
121. |
The circular chart used to remember color relationships is a ________. |
A. | flow chart |
B. | color wheel |
C. | color swatch |
Answer» B. color wheel |
122. |
Secondary colors are obtained by mixing two ___________ colors. |
A. | primary colors |
B. | secondary colors |
C. | tertiary colors |
Answer» A. primary colors |
123. |
The art element that refers to the sense of touch is___________ |
A. | texture |
B. | colour |
C. | tone |
Answer» A. texture |
124. |
Text that's indented around a photo or artwork |
A. | inset |
B. | cutline |
C. | wrap around |
Answer» C. wrap around |
125. |
A news story or other material differentiated from straight news. |
A. | feature |
B. | promo |
C. | teaser |
Answer» A. feature |
126. |
The process of mixing red, green, and blue light to achieve a wide range of colors, as on a color television screen. |
A. | subtractive color |
B. | additive color |
C. | process color |
Answer» B. additive color |
127. |
A graphics software feature that eliminates or softens the jaggedness of low-resolution curved edges. |
A. | anti-aliasing |
B. | rendering |
C. | wrapping |
Answer» A. anti-aliasing |
128. |
The width-to-height proportions of an image. |
A. | resolution |
B. | aspect ratio |
C. | landscape |
Answer» B. aspect ratio |
129. |
The text portion of the copy on a page, as distinguished from headlines. |
A. | content |
B. | type |
C. | body copy |
Answer» C. body copy |
130. |
The extra portion of an element that extends beyond the page trim edge. |
A. | crop mark |
B. | bleed allowance |
C. | gutter |
Answer» B. bleed allowance |
131. |
A strip of color blocks or tonal values on film, proofs, and press sheets, used to check the accuracy of color registration, quality, density, and ink coverage during a print run. |
A. | color bars |
B. | color scheme |
C. | calibration bars |
Answer» C. calibration bars |
132. |
The number of characters (letters, figures, signs, or spaces) in a selected block of copy. |
A. | character count |
B. | character type |
C. | fill character |
Answer» A. character count |
133. |
The subtractive primaries, or process colors, used in four-color printing. |
A. | cmyk |
B. | rgb |
C. | ryb |
Answer» A. cmyk |
134. |
A function within a graphics application that assists in selecting or setting a color. |
A. | selection tool |
B. | color picker |
C. | paint bucket tool |
Answer» B. color picker |
135. |
A type of layout in which the pages of a design appear opposite each other, as in the pages of a book. |
A. | facing pages |
B. | centre pages |
C. | layout pages |
Answer» A. facing pages |
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