McqMate
These multiple-choice questions (MCQs) are designed to enhance your knowledge and understanding in the following areas: Bachelor of Arts in Animation and Graphic Design (BA Animation and Graphic) .
| 1. |
Action Script |
| A. | programming language |
| B. | typography |
| C. | action drawing |
| D. | script for animation |
| Answer» A. programming language | |
| 2. |
Array |
| A. | an object that lists various items/objects |
| B. | list of frames |
| C. | framework used to build a skeleton for a moving object. |
| D. | none of the above |
| Answer» A. an object that lists various items/objects | |
| 3. |
Aspect Ratio |
| A. | ratio of different frames |
| B. | refers to the ratio of width to height. |
| C. | ratio of characters |
| D. | none of the above |
| Answer» B. refers to the ratio of width to height. | |
| 4. |
Bone in animation |
| A. | drawing of bone |
| B. | framework used to build a skeleton |
| C. | bone of character |
| D. | none of the above |
| Answer» B. framework used to build a skeleton | |
| 5. |
Video |
| A. | 25 frames per second |
| B. | 24 frames per second |
| C. | 16 frames per second |
| D. | 26 frames per second |
| Answer» A. 25 frames per second | |
| 6. |
CGI |
| A. | computer-generated imagery |
| B. | computer graphics interface |
| C. | cartoon graphics image |
| D. | none of the above |
| Answer» A. computer-generated imagery | |
| 7. |
Clean-Up |
| A. | refining the rough artwork of 2d animation |
| B. | rendering |
| C. | texturing |
| D. | none of the above |
| Answer» A. refining the rough artwork of 2d animation | |
| 8. |
Demo Reel |
| A. | a collection of work for presentation |
| B. | technique used for 2d animation |
| C. | input for drawing in a computer |
| D. | none of the above |
| Answer» A. a collection of work for presentation | |
| 9. |
Depth of Field |
| A. | depth of back ground |
| B. | focus of objects in a scene at various depths |
| C. | area of back ground |
| D. | none of the above |
| Answer» B. focus of objects in a scene at various depths | |
| 10. |
Dope Sheet |
| A. | cellophane sheet |
| B. | worksheet used to plan the timing and action |
| C. | story board sheet |
| D. | none of the above |
| Answer» B. worksheet used to plan the timing and action | |
| 11. |
NURBS |
| A. | non- universal ratio based splines |
| B. | non-uniform rational basis splines |
| C. | new -unit rastor based splines |
| D. | non universal rastor brush for smoothening |
| Answer» A. non- universal ratio based splines | |
| 12. |
Wire frame |
| A. | final stage of rendering |
| B. | first stage of 3d before an object is rendered |
| C. | final out put of a frame |
| D. | grid for drawing story board |
| Answer» B. first stage of 3d before an object is rendered | |
| 13. |
MPEG |
| A. | compressed bitmap file |
| B. | vector image file |
| C. | decompressed vector file |
| D. | none of the above |
| Answer» D. none of the above | |
| 14. |
Exposure sheet |
| A. | worksheet used to plan the timing and action |
| B. | sheet to prepare drawing |
| C. | cellophane sheet |
| D. | none of the above |
| Answer» A. worksheet used to plan the timing and action | |
| 15. |
Dry Brush Technique |
| A. | drawing brush with pencil |
| B. | technique used for 2d animation |
| C. | picture manipulation |
| D. | none of the above |
| Answer» B. technique used for 2d animation | |
| 16. |
Field |
| A. | area of animation sheet |
| B. | visible range of the drawings captured by the camera |
| C. | back ground |
| D. | none of the above |
| Answer» B. visible range of the drawings captured by the camera | |
| 17. |
Flip Book |
| A. | book containing sequences of an animation |
| B. | album of animation |
| C. | comic strip |
| D. | none of the above |
| Answer» A. book containing sequences of an animation | |
| 18. |
Layer |
| A. | graphics stacked |
| B. | pages stacked |
| C. | files stacked |
| D. | none of the above |
| Answer» A. graphics stacked | |
| 19. |
Silver light |
| A. | backlight |
| B. | content delivery for the web |
| C. | three point light |
| D. | foreground light |
| Answer» B. content delivery for the web | |
| 20. |
Anti-Aliasing |
| A. | process of blurring sharp edges in pictures |
| B. | aligning images |
| C. | slicing objects in a frame |
| D. | none of the above |
| Answer» A. process of blurring sharp edges in pictures | |
| 21. |
Back lighting |
| A. | light from the foreground |
| B. | light behind camera |
| C. | light behind the object |
| D. | none of these |
| Answer» C. light behind the object | |
| 22. |
Colour noise |
| A. | acuracy of signals |
| B. | disturbance |
| C. | vibration |
| D. | none of the above |
| Answer» A. acuracy of signals | |
| 23. |
Composition |
| A. | arrangements of camera parts |
| B. | pleasing arrangements of elements |
| C. | focusing |
| D. | none of the above |
| Answer» B. pleasing arrangements of elements | |
| 24. |
Lenses are usually coated with |
| A. | magnesium fluoride |
| B. | sodium fluoride |
| C. | zinc fluorite |
| D. | none of these |
| Answer» A. magnesium fluoride | |
| 25. |
‘Camera’ is actually a Latin word meaning |
| A. | picture box |
| B. | room |
| C. | light box |
| D. | none of the above |
| Answer» B. room | |
| 26. |
Incident light |
| A. | falls on the subject |
| B. | is reflected from the subject |
| C. | backlights the subject |
| D. | none of these |
| Answer» A. falls on the subject | |
| 27. |
MFD stands for ________________ |
| A. | minimum focusing distance |
| B. | maximum focusing |
| C. | distance minimum focusing direction |
| D. | none of the above |
| Answer» A. minimum focusing distance | |
| 28. |
Wide angle lens |
| A. | focal length is smaller |
| B. | focal length is longer |
| C. | large size of the lense |
| D. | none of the above aspect ratio |
| Answer» A. focal length is smaller | |
| 29. |
key light |
| A. | principle illuminator |
| B. | back light |
| C. | soft light |
| D. | none of the above |
| Answer» A. principle illuminator | |
| 30. |
POV |
| A. | point of view |
| B. | picture of vision |
| C. | photographs of visual |
| D. | none of the above |
| Answer» A. point of view | |
| 31. |
Edison is considered the father of movie studio. His studio was known as ______________ |
| A. | edison parlour |
| B. | film strip parlour |
| C. | black maria |
| D. | black edison |
| Answer» C. black maria | |
| 32. |
The first shot is a man looking up. The second shot is a low angle shot of a high rise apartment. The second shot is a _____________________________shot |
| A. | long shot |
| B. | mid – shot |
| C. | extreme long shot |
| D. | point - of – view |
| Answer» D. point - of – view | |
| 33. |
A camera mounting that straps the camera to the body of the operator to keep the recorded image reasonably steady is known as _______________________ |
| A. | steadicam |
| B. | sturdycam |
| C. | studycam |
| D. | none of the above |
| Answer» A. steadicam | |
| 34. |
ENG |
| A. | english news group |
| B. | electronic news gathering |
| C. | electronic news group |
| D. | english news gathering |
| Answer» B. electronic news gathering | |
| 35. |
Aspect ratio |
| A. | proportion between width and height |
| B. | ratio of a video frame |
| C. | ratio of a monitor frame |
| D. | none of the above |
| Answer» A. proportion between width and height | |
| 36. |
Camera angles, continuity, cutting, close-ups and …………………… are the five C’s of Cinematography |
| A. | compulsion |
| B. | calculation |
| C. | co-operation |
| D. | composition |
| Answer» D. composition | |
| 37. |
Film strip normally runs at a speed of _______________________________per second |
| A. | 24 frames |
| B. | 25 frames |
| C. | 30 frames |
| D. | 16 frames |
| Answer» A. 24 frames | |
| 38. |
Midi |
| A. | musical instrument digital interface |
| B. | skirt |
| C. | main interface of digital instrument |
| D. | none of the above |
| Answer» A. musical instrument digital interface | |
| 39. |
Synthesizer |
| A. | file format |
| B. | audio software |
| C. | generates electronic signals |
| D. | connector |
| Answer» C. generates electronic signals | |
| 40. |
digital sounds |
| A. | record in tape |
| B. | record and store using audio signals |
| C. | analogue recording |
| D. | none of the above |
| Answer» B. record and store using audio signals | |
| 41. |
Psychoacoustics |
| A. | physical acoustics |
| B. | sound perception |
| C. | acoustics technology |
| D. | none of the above |
| Answer» B. sound perception | |
| 42. |
Sound wave |
| A. | audio pcb |
| B. | propagated through air |
| C. | a software |
| D. | none of the above |
| Answer» B. propagated through air | |
| 43. |
Analog |
| A. | cassette tapes |
| B. | digital cables |
| C. | integrated chips |
| D. | audio software |
| Answer» A. cassette tapes | |
| 44. |
Digital audio |
| A. | magnetic tape |
| B. | audio cassette |
| C. | mp3 |
| D. | none of the above |
| Answer» C. mp3 | |
| 45. |
USB |
| A. | universal serial bus |
| B. | uniform service bus |
| C. | unit system bus |
| D. | none of the above |
| Answer» A. universal serial bus | |
| 46. |
Sound measurement |
| A. | decibel |
| B. | frequency |
| C. | acoustics |
| D. | none of the above |
| Answer» A. decibel | |
| 47. |
Science of Sound |
| A. | a sound recording equipment |
| B. | music equipment |
| C. | acoustics |
| D. | none of the above |
| Answer» C. acoustics | |
| 48. |
Audio Interface |
| A. | capture audio signals from microphones |
| B. | connecting cables |
| C. | console |
| D. | none of the above |
| Answer» A. capture audio signals from microphones | |
| 49. |
Ultrasound |
| A. | sound pressure wave |
| B. | speaker |
| C. | woofer |
| D. | none of the above |
| Answer» A. sound pressure wave | |
| 50. |
Sound Engineering |
| A. | science of audio production |
| B. | technology of hearing equipment |
| C. | science of sound |
| D. | none of the above |
| Answer» A. science of audio production | |
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