McqMate
These multiple-choice questions (MCQs) are designed to enhance your knowledge and understanding in the following areas: Bachelor of Arts in Animation and Graphic Design (BA Animation and Graphic) .
| 1. |
Composite Video signal |
| A. | analogue |
| B. | digital |
| C. | non linear |
| D. | none of the above |
| Answer» A. analogue | |
| 2. |
PSNR |
| A. | peak signal-to-noise ratio |
| B. | programmable system for non linear recording |
| C. | process system news recording |
| D. | none of the above |
| Answer» A. peak signal-to-noise ratio | |
| 3. |
Digital video standards |
| A. | ntsc |
| B. | rgb |
| C. | ymck |
| D. | jpeg |
| Answer» A. ntsc | |
| 4. |
Analog video |
| A. | svhs |
| B. | dat |
| C. | wav |
| D. | mpeg |
| Answer» A. svhs | |
| 5. |
Digital video |
| A. | encoded digital data |
| B. | vhs |
| C. | svhs |
| D. | betacam |
| Answer» A. encoded digital data | |
| 6. |
Web Video |
| A. | streaming |
| B. | static |
| C. | interface |
| D. | none of the above |
| Answer» A. streaming | |
| 7. |
Multimedia |
| A. | text, audio, images |
| B. | print media |
| C. | cassette media |
| D. | none of the above |
| Answer» A. text, audio, images | |
| 8. |
Digital era |
| A. | information age |
| B. | lp record age |
| C. | video cassette age |
| D. | none of the above |
| Answer» A. information age | |
| 9. |
Final Cut Pro |
| A. | video editing |
| B. | sound mastering |
| C. | image editing |
| D. | none of the above |
| Answer» A. video editing | |
| 10. |
Action cutting |
| A. | matching an action |
| B. | removing an action |
| C. | stopping an action |
| D. | none of the above |
| Answer» A. matching an action | |
| 11. |
Rough cut |
| A. | online editing |
| B. | first process of editing |
| C. | removing rough frames |
| D. | none of the above |
| Answer» B. first process of editing | |
| 12. |
Cross cutting |
| A. | parallel editing |
| B. | diagonally cutting |
| C. | removing frames |
| D. | none of the above |
| Answer» A. parallel editing | |
| 13. |
VTR |
| A. | video tape recording |
| B. | video transferring and removing |
| C. | vector tape recording |
| D. | none of the above |
| Answer» A. video tape recording | |
| 14. |
Linear editing |
| A. | ordered sequence |
| B. | interactive |
| C. | dynamic |
| D. | none of the above |
| Answer» A. ordered sequence | |
| 15. |
Non-linear editing |
| A. | non destructive editing |
| B. | destructive editing |
| C. | ordered sequence editing |
| D. | none of the above |
| Answer» A. non destructive editing | |
| 16. |
EDL |
| A. | educational documentary for learing |
| B. | editing digital list of shots |
| C. | edit decision list |
| D. | none of the above |
| Answer» C. edit decision list | |
| 17. |
Video clips |
| A. | short clips |
| B. | documentary |
| C. | you tube films |
| D. | short films |
| Answer» A. short clips | |
| 18. |
Time line |
| A. | chronological sequence |
| B. | line tools |
| C. | image format |
| D. | video format |
| Answer» A. chronological sequence | |
| 19. |
FCP |
| A. | final cut pro |
| B. | financially costly project |
| C. | final cost preparation |
| D. | none of the above |
| Answer» A. final cut pro | |
| 20. |
Batch capturing |
| A. | multiple clips |
| B. | batch of property |
| C. | capturing a group of people |
| D. | none of the above |
| Answer» A. multiple clips | |
| 21. |
Scene structure |
| A. | building block of script |
| B. | frame of a story board |
| C. | list of importing clips |
| D. | none of the above |
| Answer» B. frame of a story board | |
| 22. |
Audio effects |
| A. | artificially created enhanced sound |
| B. | live recording from guitar |
| C. | flute concert |
| D. | none of the above |
| Answer» A. artificially created enhanced sound | |
| 23. |
Transitions |
| A. | editing effects |
| B. | transferring to digital |
| C. | graphic design |
| D. | static image |
| Answer» A. editing effects | |
| 24. |
Key frames |
| A. | beginning or ending frame of transition |
| B. | in between frame |
| C. | title cards |
| D. | none of the above |
| Answer» A. beginning or ending frame of transition | |
| 25. |
Audio mixer |
| A. | console |
| B. | mixing machine |
| C. | broadcasting equipment |
| D. | none of the above |
| Answer» A. console | |
| 26. |
Narration track |
| A. | audio description |
| B. | video description |
| C. | animation |
| D. | none of the above |
| Answer» A. audio description | |
| 27. |
Key frames |
| A. | beginning frame |
| B. | beginning and ending frame |
| C. | ending frame |
| D. | in between frame |
| Answer» B. beginning and ending frame | |
| 28. |
Morphing |
| A. | editing two pictures in to one picture |
| B. | transition from one frame to another |
| C. | picture manipulation |
| D. | merging of one or layer of a digital image |
| Answer» B. transition from one frame to another | |
| 29. |
MPEG |
| A. | broadcasting |
| B. | video compression |
| C. | image compression |
| D. | none of the above |
| Answer» B. video compression | |
| 30. |
Video format standard of India |
| A. | ntsc |
| B. | betacam |
| C. | pal |
| D. | indiform |
| Answer» C. pal | |
| 31. |
Video |
| A. | 25 frames per second |
| B. | 24 frames per second |
| C. | 16 frames per second |
| D. | 26 frames per second |
| Answer» B. 24 frames per second | |
| 32. |
Reverse Telecine |
| A. | transfer of movie to video |
| B. | transfer of video to movie |
| C. | transfer of video to hard disc |
| D. | transfer of video to cd |
| Answer» B. transfer of video to movie | |
| 33. |
AVID |
| A. | digital editing |
| B. | analogue editing |
| C. | moviola editing |
| D. | none of the above |
| Answer» A. digital editing | |
| 34. |
Colour temperature |
| A. | characteristic of visible light |
| B. | warm and cool color temperature |
| C. | heat reflecting from color surface |
| D. | none of the above |
| Answer» A. characteristic of visible light | |
| 35. |
Alpha Compositing |
| A. | composing an image with background |
| B. | first step of composing |
| C. | final editing |
| D. | none of the above |
| Answer» A. composing an image with background | |
| 36. |
____________________is a process of converting analog audio into digital audio |
| A. | sampling |
| B. | recording |
| C. | stretching |
| D. | digitizing |
| Answer» D. digitizing | |
| 37. |
Take is a version of a ____________________________ |
| A. | shot |
| B. | scene |
| C. | sequence |
| D. | mise-en scene |
| Answer» A. shot | |
| 38. |
_________ shots do not allow audiences to see details |
| A. | close-up |
| B. | long |
| C. | medium |
| D. | none of the above |
| Answer» B. long | |
| 39. |
In ___________ pan the camera pans as it follows a moving subject. |
| A. | surveying |
| B. | following |
| C. | interrupted |
| D. | whip |
| Answer» B. following | |
| 40. |
_______________refers to the number of samples recorded per second from the source audio |
| A. | sampling rate |
| B. | resolution |
| C. | kerning |
| D. | bit depth |
| Answer» D. bit depth | |
| 41. |
The light source that casts sharp, well define shadows is called _______________ |
| A. | key light |
| B. | fill light |
| C. | set light |
| D. | hard light |
| Answer» D. hard light | |
| 42. |
The simplest and most used transition technique for building a link between two distinct shots is |
| A. | fade |
| B. | dissolve |
| C. | cut |
| D. | wipe |
| Answer» B. dissolve | |
| 43. |
Track shot |
| A. | dolly |
| B. | trolly |
| C. | tripod |
| D. | none of the above |
| Answer» A. dolly | |
| 44. |
Wide angle lens |
| A. | focal length is smaller |
| B. | focal length is longer |
| C. | large size of the lense |
| D. | none of the above |
| Answer» A. focal length is smaller | |
| 45. |
Story board |
| A. | illustrations in sequence |
| B. | story about released film |
| C. | advertorial |
| D. | none of the above |
| Answer» A. illustrations in sequence | |
| 46. |
Depth of field |
| A. | distance between the nearest and farthest objects |
| B. | depth of back ground |
| C. | depth of object |
| D. | none of the above |
| Answer» A. distance between the nearest and farthest objects | |
| 47. |
Aspect ratio |
| A. | ratio of width and height |
| B. | ratio of width and depth |
| C. | ratio of width and diagonal |
| D. | none of the above |
| Answer» A. ratio of width and height | |
| 48. |
Match cut to: |
| A. | a transition often used to compare two completely unrelated objects |
| B. | cutting film |
| C. | removing |
| D. | none of the above |
| Answer» A. a transition often used to compare two completely unrelated objects | |
| 49. |
Match dissolve to |
| A. | fade in |
| B. | a match dissolve involves two objects of similar color, shape, |
| C. | not a transition |
| D. | none of the above |
| Answer» B. a match dissolve involves two objects of similar color, shape, | |
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