McqMate
These multiple-choice questions (MCQs) are designed to enhance your knowledge and understanding in the following areas: Master of Arts in English (MA English) , English (CBCS) .
Chapters
| 201. |
The pivotal speaker in Republic, Socrates recalls the visit to Piraeus, the port of Athens to take part in the festivities to honour which deity? |
| A. | bendis |
| B. | apollo |
| C. | dionysus |
| D. | cupid |
| Answer» A. bendis | |
| 202. |
Who is the young half-brother of Plato whose name means “owl” or “gleaming eyes”? |
| A. | cephalus |
| B. | aristotle |
| C. | glaucon |
| D. | thrasymachus |
| Answer» C. glaucon | |
| 203. |
Which book in the Republic ends with the Phoenician myth, which Socrates feels would serve as the effective mythical explanation for their State/ |
| A. | first |
| B. | fourth |
| C. | second |
| D. | third |
| Answer» D. third | |
| 204. |
Who attempts to define a philosopher and introduces the Theory of Forms? |
| A. | plato |
| B. | socrates |
| C. | aristotle |
| D. | longinus |
| Answer» B. socrates | |
| 205. |
Which form of government is based primarily on wealth? |
| A. | timocracy |
| B. | oligarchy |
| C. | democracy |
| D. | tyranny |
| Answer» B. oligarchy | |
| 206. |
The Republic concludes with Socrates’ vibrant description of the tale of which hero? |
| A. | er |
| B. | ulysses |
| C. | telemachus |
| D. | achilles |
| Answer» A. er | |
| 207. |
Who mentions: “God is not the author of all things, but of good only” |
| A. | plato |
| B. | glaucon |
| C. | socrates |
| D. | adeimantus |
| Answer» C. socrates | |
| 208. |
Whose verses does Socrates criticise because of the uneven blend of narrative, especially the speeches of the characters in Iliad that also employ mimesis or imitation? |
| A. | hesiod |
| B. | homer |
| C. | aeschylus |
| D. | sophocles |
| Answer» B. homer | |
| 209. |
Which genre, according to Aristotle is divided into the epic and the dramatic according to the manner of its imitation? |
| A. | poetry |
| B. | drama |
| C. | prose |
| D. | fiction |
| Answer» A. poetry | |
| 210. |
Which type of drama, according to Aristotle is considered a representation of characters of a base type, which means ridiculous? |
| A. | farce |
| B. | tragicomedy |
| C. | satire |
| D. | comedy |
| Answer» D. comedy | |
| 211. |
Which chapter of Aristotle’s Poetics discusses the construction of an ideal plot, which is fundamental to tragedy? |
| A. | sixth |
| B. | seventh |
| C. | eighth |
| D. | ninth |
| Answer» B. seventh | |
| 212. |
What is the Greek term for “resolution of complication”? |
| A. | perepeteia |
| B. | anagnorisis |
| C. | denouement |
| D. | catharsis |
| Answer» C. denouement | |
| 213. |
Which is the entire part of a tragedy placed between the complete choric songs, in the divisions of a tragedy when staged? |
| A. | parode |
| B. | episode |
| C. | exode |
| D. | stasimon |
| Answer» B. episode | |
| 214. |
Whose misfortunes should an ideal plot depict? |
| A. | hero |
| B. | antagonist |
| C. | chorus |
| D. | family |
| Answer» A. hero | |
| 215. |
Which unity has not been mentioned by Aristotle? |
| A. | time |
| B. | action |
| C. | place |
| D. | all these |
| Answer» C. place | |
| 216. |
Whose plays are considered the primary models of artistic unity, dramatic construction and the author’s role in the epic by Aristotle? |
| A. | aristophanes |
| B. | virgil |
| C. | sophocles |
| D. | homer |
| Answer» D. homer | |
| 217. |
Which kind of poetry has been ignored because Aristotle considers it more suited to music than poetry? |
| A. | ode |
| B. | lyric |
| C. | sonnet |
| D. | dramatic monologue |
| Answer» B. lyric | |
| 218. |
What is the structure of Longinus’ “On the Sublime”? |
| A. | epistolary |
| B. | narrative |
| C. | discussion |
| D. | discursive |
| Answer» A. epistolary | |
| 219. |
What is the excessive use of verbal ornamentation that obstructs the natural use of language and hence it should be avoided? |
| A. | grandiloquence |
| B. | puerility |
| C. | elaboration |
| D. | exaggeration |
| Answer» A. grandiloquence | |
| 220. |
How many sources of sublimity are mentioned by Longinus? |
| A. | four |
| B. | three |
| C. | five |
| D. | two |
| Answer» C. five | |
| 221. |
Which figure of speech is useful in heightening expression, in the opinion of Longinus? |
| A. | hyperbation |
| B. | periphrasis |
| C. | asyndeton |
| D. | none of these |
| Answer» C. asyndeton | |
| 222. |
When was the pastoral romance Arcadia was published? |
| A. | 1579 |
| B. | 1576 |
| C. | 1575 |
| D. | 1580 |
| Answer» A. 1579 | |
| 223. |
What does the word vates mean? |
| A. | building |
| B. | a seer |
| C. | coward |
| D. | disciple |
| Answer» B. a seer | |
| 224. |
Who mentions “as is painting so is poetry”? |
| A. | virgil |
| B. | homer |
| C. | dante |
| D. | horace |
| Answer» D. horace | |
| 225. |
Which edition of the Preface is considered important because of the explanation of the nature and characteristics of the poet, and his superiority over the man of science? |
| A. | 1802 |
| B. | 1800 |
| C. | 1815 |
| D. | none of these |
| Answer» A. 1802 | |
| 226. |
Who is the author of Defence of Poetry? |
| A. | coleridge |
| B. | keats |
| C. | shelley |
| D. | mathew arnold |
| Answer» C. shelley | |
| 227. |
Who mentions: “Every great poet is a teacher; I wish either to be considered as a teacher or as a nothing”. |
| A. | william wordsworth |
| B. | lord byron |
| C. | edmund spenser |
| D. | robert herrick |
| Answer» A. william wordsworth | |
| 228. |
Which critic published his classroom lectures and his ideas along with the dictums of the other critics regularly in Scrutiny? |
| A. | raman selden |
| B. | f.r.leavis |
| C. | henry james |
| D. | joseph conrad |
| Answer» B. f.r.leavis | |
| 229. |
Who among the following is recognised one of “the great English novelists”? |
| A. | charlotte bronte |
| B. | emily bronte |
| C. | jane austen |
| D. | henry fielding |
| Answer» C. jane austen | |
| 230. |
Which critic is of the opinion that though Charles Dickens possesses the vitality and vision of art as Conrad does, he cannot be included “in the line of great novelists”? |
| A. | george santayana |
| B. | t.s.eliot |
| C. | d.h. lawrence |
| D. | f.r.leavis |
| Answer» D. f.r.leavis | |
| 231. |
Whose first book of poems Prufrock and Other Observations was published in 1917? |
| A. | robert browning |
| B. | t.s.eliot |
| C. | alfred tennyson |
| D. | john keats |
| Answer» B. t.s.eliot | |
| 232. |
Locate T.S. Eliot’s full length book of essays on poetry and criticism. |
| A. | the sacred wood: essays on poetry and criticism |
| B. | the egoist |
| C. | tradition and the individual talent |
| D. | the art of t.s.eliot |
| Answer» A. the sacred wood: essays on poetry and criticism | |
| 233. |
Identify the author of The Well-Wrought Urn: Studies in the Structure of Poetry (1947)/ |
| A. | william k. wimsatt |
| B. | cleanth brooks |
| C. | joel e.spingarn |
| D. | yvor winters |
| Answer» B. cleanth brooks | |
| 234. |
What is referred as the analysis of the figurative elements such as images, similes, metaphors, symbols, and myth that unify a work? |
| A. | contrapuntal reading |
| B. | imagery |
| C. | close reading |
| D. | fallacy |
| Answer» C. close reading | |
| 235. |
Who wrote the essay “The Critical Monism of Cleanth Brooks”? |
| A. | r.s.crane |
| B. | elder olson |
| C. | robert penn warren |
| D. | richard mckeon |
| Answer» A. r.s.crane | |
| 236. |
Under which method of analysis, does the critic proceed to ascertain the meaning of a work from the general truth to the particular one? |
| A. | deductive |
| B. | inductive |
| C. | formalist |
| D. | archetypal |
| Answer» A. deductive | |
| 237. |
What is referred as the proper knowledge of language that helps to satisfy desires? |
| A. | rasa |
| B. | natyashastra |
| C. | kamadhenu |
| D. | dhwani |
| Answer» C. kamadhenu | |
| 238. |
Which is the earliest systematic work on Indian dramaturgy? |
| A. | kavyalankara |
| B. | natyashastra |
| C. | kavyadarsha |
| D. | nirupana |
| Answer» B. natyashastra | |
| 239. |
Who critiqued the sphota doctrine of the grammarians and the Buddhist linguistic doctrine of apoha? |
| A. | dandin |
| B. | abhinavagupta |
| C. | udbhata |
| D. | bhamaha |
| Answer» D. bhamaha | |
| 240. |
Which critic gave great importance to the gunas and doshas (merits and defects) in poetry? |
| A. | kalidasa |
| B. | anandavardhana |
| C. | dandin |
| D. | rajashekhara |
| Answer» C. dandin | |
| 241. |
Who is the most authoritative exponent of Pratyabhijna philosophy that is centered on Kashmiri Shaivism? |
| A. | abhinavagupta |
| B. | anandavardhana |
| C. | kshemendra |
| D. | bhoja |
| Answer» A. abhinavagupta | |
| 242. |
Who is the Kashmiri scholar whose Vakroktijivita is famous for the discussion of vakrata (indirection or obliqueness) in expression in poetry? |
| A. | anandavardhana |
| B. | rajashekhara |
| C. | abhinavagupta |
| D. | kuntaka |
| Answer» D. kuntaka | |
| 243. |
Which tailanga scholar who was a prominent poet in the court of the Mughal emperor Shah Jahan, was conferred the title Panditaraja? |
| A. | jagannatha |
| B. | mahimabhatta |
| C. | kshemendra |
| D. | bhoja |
| Answer» A. jagannatha | |
| 244. |
In which work by Vamana was the word sahrudaya used first in the technical sense of a competent reader of poetry? |
| A. | agnipurana |
| B. | dwanyaloka |
| C. | kavyaloka |
| D. | kavyalamkara |
| Answer» D. kavyalamkara | |
| 245. |
Which category of prathibha refers to the creative ability of the poet? |
| A. | karayitri |
| B. | bhavayitri |
| C. | abida |
| D. | anumana |
| Answer» A. karayitri | |
| 246. |
Who mentions “vakyam rasatmakam kavyam”, which means any composition which gives tasteful pleasure is poetry? |
| A. | kshemendra |
| B. | bhattalolatta |
| C. | mammata |
| D. | jagannatha |
| Answer» D. jagannatha | |
| 247. |
Which Indian critical theory concentrates on emotive expression? |
| A. | rasa |
| B. | abida |
| C. | anumana |
| D. | kavya |
| Answer» A. rasa | |
| 248. |
Which theory in Indian aesthetics theory connotes indirect or suggestive expression? |
| A. | alamkara |
| B. | dhwani |
| C. | kavya |
| D. | aswad |
| Answer» B. dhwani | |
| 249. |
Who was the first dramatist to recognise the importance of rasa in aesthetics? |
| A. | kalidasa |
| B. | jagannatha |
| C. | bharatamuni |
| D. | purandaradasa |
| Answer» C. bharatamuni | |
| 250. |
Which term in Indian aesthetics refers to the objective conditions or reasons for producing or exciting an emotion, which is also the main stimulating cause or the object of the emotion? |
| A. | bhava |
| B. | samyoga |
| C. | anubhava |
| D. | vibhava |
| Answer» D. vibhava | |
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