McqMate
These multiple-choice questions (MCQs) are designed to enhance your knowledge and understanding in the following areas: Master of Arts in English (MA English) , English (CBCS) .
Chapters
1. |
Middleton Murry has criticized the critical work of |
A. | Wordsworth |
B. | Eliot |
C. | Arnold |
D. | Leavis |
Answer» B. Eliot |
2. |
Eliot says , “ inner voice is ____ “ |
A. | hoarse |
B. | artificial |
C. | whiggery |
D. | sublime |
Answer» C. whiggery |
3. |
Eliot’s essay ‘The Function of Criticism’ has |
A. | two points |
B. | three parts |
C. | four parts |
D. | five parts |
Answer» C. four parts |
4. |
According to Eliot, Literary tradition is |
A. | Self-sacrifice |
B. | Whiggering |
C. | Self-organism |
D. | a canon |
Answer» B. Whiggering |
5. |
A critic according to Eliot must be entirely |
A. | impersonal and objective |
B. | imaginative and emotional |
C. | ordered and discerning |
D. | learned and well-read |
Answer» A. impersonal and objective |
6. |
Eliot says that the function of a critic is to ______ a work of art |
A. | explain |
B. | elucidate |
C. | publish |
D. | contemplate |
Answer» B. elucidate |
7. |
In T.S Eliot's "The Function of Criticism'', he mentions that the ____ should be altered by the ___, as much as the ___ is altered by the ____. |
A. | future, past & past, future |
B. | present, past & past, present |
C. | future, present & present, future |
D. | past, present & present, past |
Answer» D. past, present & present, past |
8. |
What is the commentation and exposition of works of art by means of written words according to Eliot? |
A. | philosophy |
B. | Literature |
C. | criticism |
D. | creativity |
Answer» C. criticism |
9. |
Eliot mentions that the end of criticism appears to be the elucidation of works of art and |
A. | the correction of taste |
B. | the convection of taste |
C. | the conversion of taste |
D. | the conduction of taste |
Answer» A. the correction of taste |
10. |
What according to Eliot does the inner voice sound like? |
A. | trusting one's instincts |
B. | doing as one likes |
C. | doing what's necessary |
D. | doing as other's like |
Answer» B. doing as one likes |
11. |
Who according to Eliot are the real corruptors of taste? |
A. | those that supply lies and fiction |
B. | those that supply opinions or fancy |
C. | those that supply truth or facts |
D. | those that supply criticism |
Answer» B. those that supply opinions or fancy |
12. |
According to Eliot the most important qualification that a critic must have is |
A. | a highly developed sense of understanding |
B. | a highly developed sense of fact |
C. | a highly developed sense of meaning |
D. | a highly developed sense of intuition |
Answer» B. a highly developed sense of fact |
13. |
T.S. Eliot has stated that criticism is the elucidation of work of _________ and the correction of _________. |
A. | arts, taste |
B. | writers, sense |
C. | individual, mistake |
D. | none of the above |
Answer» A. arts, taste |
14. |
Eliot states that to be an ideal critic, one has to develop an extraordinary sense of _____. |
A. | imagination |
B. | taste |
C. | fact |
D. | vision |
Answer» C. fact |
15. |
Eliot says that inner voice is _________. |
A. | hoarse |
B. | Whiggery |
C. | artificial |
D. | raspy |
Answer» B. Whiggery |
16. |
What, according to T.S. Eliot are the chief tools of the critic? |
A. | Comparison and analysis |
B. | Analysis and exposition |
C. | Exposition and comparison |
D. | None of the above |
Answer» A. Comparison and analysis |
17. |
The lemon squeezer critic is opposed by – |
A. | Middleton Murry |
B. | T.S. Eliot |
C. | Samuel Johnson |
D. | F.R. Leavis |
Answer» B. T.S. Eliot |
18. |
Eliot believes that artists unite consciously or unconsciously under a common |
A. | Inheritance and cause |
B. | Religion and faith |
C. | System of Believe |
D. | Habit and cause |
Answer» A. Inheritance and cause |
19. |
The commentation and exposition of works of art, according to Eliot, is |
A. | Elucidation |
B. | Exposition |
C. | Collaboration |
D. | Criticism |
Answer» D. Criticism |
20. |
Criticism must always profess an _______ |
A. | Observation |
B. | Analysis of works of art |
C. | Objective |
D. | End in view |
Answer» D. End in view |
21. |
Eliot said that Mathew Arnold overlooks the importance of |
A. | Inner Voice |
B. | Creation in criticism |
C. | Criticism in creation |
D. | None of the above |
Answer» C. Criticism in creation |
22. |
No writer according to Eliot is_____ |
A. | Self-reliant |
B. | Self-supported |
C. | Self-sufficient |
D. | Selfish |
Answer» C. Self-sufficient |
23. |
A critic must have a very highly developed sense of ______ |
A. | Understanding |
B. | Fact |
C. | Knowledge |
D. | Literature |
Answer» B. Fact |
24. |
The chief tools of a critic are |
A. | Truth and knowledge |
B. | Facts and Science |
C. | Comparison and analysis |
D. | Reading and understanding |
Answer» C. Comparison and analysis |
25. |
The Function of Criticism is T. S Elliot’s reply to_________ |
A. | I. A Richards |
B. | Northrope Frye |
C. | Middleton Murry |
D. | Rene Welleck |
Answer» C. Middleton Murry |
26. |
To which age does T. S Eliot belong? |
A. | Classical Age |
B. | Modern Age |
C. | Romantic Age |
D. | Victorian Age |
Answer» B. Modern Age |
27. |
Both Arnold and Eliot are preoccupied with |
A. | Culture |
B. | Society |
C. | Emotion |
D. | Nature |
Answer» A. Culture |
28. |
'The function of criticism is to promote the understanding and enjoyment of literature'. Who said this? |
A. | Matthew Arnold |
B. | T. S Eliot |
C. | Dr. Johnson |
D. | John Keats |
Answer» B. T. S Eliot |
29. |
Eliot states, “A common inheritance and a common cause unite artists |
A. | consciously or unconsciously” |
B. | interactively” |
C. | by unseen thread” |
D. | subconsciously” |
Answer» A. consciously or unconsciously” |
30. |
Eliot believes that between the true artists of any time there is |
A. | an unconscious community |
B. | a mutual understanding |
C. | a vast difference |
D. | an unbound thread |
Answer» A. an unconscious community |
31. |
Eliot feels that the second-rate artist cannot afford to surrender himself to any |
A. | concrete idea |
B. | common action |
C. | universal detail |
D. | philosophical idea |
Answer» B. common action |
32. |
To Eliot, the chief tools of the critic are, |
A. | reading and composition |
B. | reading and comprehension |
C. | composition and analysis |
D. | comparison and analysis |
Answer» D. comparison and analysis |
33. |
Eliot states. “The critical activity finds its highest, its true fulfillment in a kind of union with creation in the |
A. | labour of the artist” |
B. | composition of the poet” |
C. | works of poets and prose writers” |
D. | creation of the artist” |
Answer» A. labour of the artist” |
34. |
The most important qualification that Eliot recommends to critics is to possess a |
A. | “very highly developed sense of literature” |
B. | “very highly developed sense of history” |
C. | “very highly developed sense of philosophy” |
D. | “very highly developed sense of fact” |
Answer» D. “very highly developed sense of fact” |
35. |
According to TS Eliot, who overlook the capital importance of criticism in the work of creation itself? |
A. | Middleton Murry |
B. | Matthew Arnold |
C. | Clutton Brock |
D. | Coleridge |
Answer» B. Matthew Arnold |
36. |
What are the chief tools of the critic according to TS Eliot? |
A. | Comparison and analysis |
B. | Interpretation and communication |
C. | Studying and reproduction |
D. | Fact hunting |
Answer» A. Comparison and analysis |
37. |
What did TS Eliot called critics like himself who did not have the ‘inner voice’? |
A. | Inner deaf mutes |
B. | Whiggery |
C. | Fact hunters |
D. | Lemon- squeezers |
Answer» A. Inner deaf mutes |
38. |
“The Function of Criticism” by TS Eliot was written in |
A. | 1921 |
B. | 1922 |
C. | 1923 |
D. | 1924 |
Answer» C. 1923 |
39. |
“The Function of Criticism” by TS Eliot was a response to |
A. | Matthew Arnold |
B. | Dr. Wellek |
C. | Middleton Murry |
D. | FR Leavis |
Answer» C. Middleton Murry |
40. |
Eliot said that the major part of the effort of an author in composing his work is __. |
A. | Critical labour |
B. | Critical faculty |
C. | Creative criticism |
D. | Workshop criticism |
Answer» D. Workshop criticism |
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