McqMate
These multiple-choice questions (MCQs) are designed to enhance your knowledge and understanding in the following areas: Bachelor Multimedia Communication (BMMC) .
| 51. |
REVERSE ANGLE |
| A. | reveal things for comic or dramatic effect |
| B. | reverse shot |
| C. | shot from back ground |
| D. | none of the above |
| Answer» A. reveal things for comic or dramatic effect | |
| 52. |
ROLL |
| A. | superimposed titles move vertically on screen |
| B. | film roll |
| C. | rolling of camera |
| D. | none of the above |
| Answer» A. superimposed titles move vertically on screen | |
| 53. |
Scene |
| A. | an event that takes place entirely in one location or time |
| B. | a frame |
| C. | a dialogue |
| D. | none of the above |
| Answer» A. an event that takes place entirely in one location or time | |
| 54. |
Shooting Script |
| A. | final draft used on set by the production people |
| B. | script prepared during shooting |
| C. | a review of script |
| D. | none of the above |
| Answer» A. final draft used on set by the production people | |
| 55. |
Slug Line |
| A. | beginning of a scene that briefly describes the location and time of day |
| B. | sub title |
| C. | closing film |
| D. | captions |
| Answer» A. beginning of a scene that briefly describes the location and time of day | |
| 56. |
SMASH CUT TO |
| A. | slow transition |
| B. | an especially sharp transition |
| C. | final shot |
| D. | none of the above |
| Answer» B. an especially sharp transition | |
| 57. |
Screenplay |
| A. | a specific script |
| B. | play back |
| C. | one line script |
| D. | none of the above |
| Answer» A. a specific script | |
| 58. |
SPLIT SCREEN SHOT: |
| A. | the space of the frame is split into more frames |
| B. | splitting of pages |
| C. | splitting of scenes |
| D. | none of the above |
| Answer» A. the space of the frame is split into more frames | |
| 59. |
Steadicam |
| A. | a camera built to remain stable while being moved |
| B. | a camera mounted on a tripod |
| C. | a steady shot |
| D. | none of the above |
| Answer» A. a camera built to remain stable while being moved | |
| 60. |
STOCK SHOT: |
| A. | footage of events in history, from other films |
| B. | stocking of previously recorded clips |
| C. | a still shot |
| D. | none of the above |
| Answer» A. footage of events in history, from other films | |
| 61. |
SUPER |
| A. | abbreviation for superimpose |
| B. | super star |
| C. | super picture |
| D. | none of the above |
| Answer» A. abbreviation for superimpose | |
| 62. |
Swish Pan |
| A. | a quick snap of the camera from one object to another |
| B. | a vessel |
| C. | a camera equipment |
| D. | none of the above |
| Answer» A. a quick snap of the camera from one object to another | |
| 63. |
Tracking Shot |
| A. | a camera following a person or an object |
| B. | track for camera movement |
| C. | dolly shot |
| D. | none of the above |
| Answer» A. a camera following a person or an object | |
| 64. |
Trailer |
| A. | theatrical advertisement for an upcoming film |
| B. | news reel |
| C. | trolley |
| D. | none of the above |
| Answer» A. theatrical advertisement for an upcoming film | |
| 65. |
Transition |
| A. | these describe the style in which one scene becomes the next |
| B. | transmission |
| C. | broadcast |
| D. | none of the above |
| Answer» A. these describe the style in which one scene becomes the next | |
| 66. |
V.O. |
| A. | voice over |
| B. | very old scene |
| C. | visual opacity |
| D. | none of the above |
| Answer» A. voice over | |
| 67. |
WIPE TO |
| A. | a transition in which one scene "wipes away" for the next |
| B. | clean out |
| C. | shot taken in rain |
| D. | none of the above |
| Answer» A. a transition in which one scene "wipes away" for the next | |
| 68. |
ZOOM |
| A. | the image seems to close in on a person or object |
| B. | zoom out |
| C. | long shot |
| D. | extreme long shot |
| Answer» A. the image seems to close in on a person or object | |
| 69. |
Structure of script |
| A. | dialogue and description |
| B. | elements of design |
| C. | design of characters |
| D. | none of the above |
| Answer» A. dialogue and description | |
| 70. |
Power point |
| A. | corporate presentation |
| B. | documentary |
| C. | feature film |
| D. | none of the above |
| Answer» A. corporate presentation | |
| 71. |
In TV interview double look means__________________________ |
| A. | The gaze of the interviewer towards interviewed |
| B. | Looking only at the person being interviewed |
| C. | Looking at both the interviewer and camera lens |
| D. | None of the above |
| Answer» A. The gaze of the interviewer towards interviewed | |
| 72. |
Bert Haanstra’s classic documentary___________________ documents Holland’s struggle against the sea |
| A. | Delta Project |
| B. | Delta Finale |
| C. | Delta Phase I |
| D. | The Eastern Scheldt |
| Answer» C. Delta Phase I | |
| 73. |
The classical Italian neo-realist film, The Bicycle Thief (1948), directed by Vittorio DeSica was scripted by___________________________ |
| A. | Vittoria DeSica |
| B. | Cesare Zavatini |
| C. | Roberto Rossellini |
| D. | Michelangelo Antonioni |
| Answer» A. Vittoria DeSica | |
| 74. |
_______________________was the first film maker who introduced parallel action editing (cross-cut) to heighten the anxiety of the audience |
| A. | Cecil Hepworth |
| B. | D.W. Griffith |
| C. | Mack Sennette |
| D. | Stuart Blackton |
| Answer» B. D.W. Griffith | |
| 75. |
Story board narrates the story of the movie through____________________ |
| A. | rough sketches |
| B. | film strips |
| C. | story synopsis |
| D. | comic strips |
| Answer» A. rough sketches | |
| 76. |
Treatment, a terminology in cinema means____________________ |
| A. | synopsis of a film |
| B. | a proposal for the production of a film |
| C. | A short written outline of a film specifying how the story is to be told |
| D. | Summary of the story |
| Answer» C. A short written outline of a film specifying how the story is to be told | |
| 77. |
Sir David Attenborough is a renowned_______________________ |
| A. | Script writer |
| B. | film editor |
| C. | Feature film director |
| D. | video documentary director |
| Answer» D. video documentary director | |
| 78. |
Property of media production |
| A. | Non- movable Property |
| B. | Land property |
| C. | Portable objects on a set. |
| D. | None of the above |
| Answer» C. Portable objects on a set. | |
| 79. |
Docu-drama |
| A. | Fictionalized drama based on actual events |
| B. | A modern drama |
| C. | Documentary |
| D. | None of the above |
| Answer» A. Fictionalized drama based on actual events | |
| 80. |
Quantitative research |
| A. | Numerical analysis |
| B. | Using old documents |
| C. | A systematic analysis written work |
| D. | None of the above |
| Answer» A. Numerical analysis | |
| 81. |
Content Analysis |
| A. | A systematic analysis written work, speech, or film |
| B. | Numerical analysis |
| C. | Quantitative analysis |
| D. | None of the above |
| Answer» A. A systematic analysis written work, speech, or film | |
| 82. |
Creating a storyboard of a video programme is usually at |
| A. | Production stage |
| B. | after the shoot |
| C. | pre-production stage |
| D. | Scripting stage |
| Answer» C. pre-production stage | |
| 83. |
Soap Opera |
| A. | Serial drama, on television |
| B. | Russian Opera |
| C. | Italian opera |
| D. | None of the above |
| Answer» A. Serial drama, on television | |
| 84. |
Story board |
| A. | Script |
| B. | Pre visualization sequence |
| C. | Clap board |
| D. | Condense of a story |
| Answer» B. Pre visualization sequence | |
| 85. |
ENG |
| A. | English News Group |
| B. | Electronic News gathering |
| C. | Electronic News Group |
| D. | English News Gathering |
| Answer» B. Electronic News gathering | |
| 86. |
A TV producer is not supposed to _______________________________ |
| A. | be present during the recording of a sit.com |
| B. | oversee the editing process |
| C. | edit and rewrite the script |
| D. | prepare final VTR for the purpose of broadcasting |
| Answer» D. prepare final VTR for the purpose of broadcasting | |
| 87. |
Programmes genre where the unscripted behavior of ordinary people are the focus of interest is known as ____________________________ |
| A. | actuality footage |
| B. | reality television |
| C. | naturalism |
| D. | real TV |
| Answer» B. reality television | |
| 88. |
The number of minutes of tape used to shoot a sequence compared to the screen time of the finished product is known as _________________________________ |
| A. | shooting ratio |
| B. | canning ratio |
| C. | fog index |
| D. | screen index |
| Answer» A. shooting ratio | |
| 89. |
Lip-sync is a term used in________________________________ |
| A. | dubbing |
| B. | lighting |
| C. | rehearsals |
| D. | makeup |
| Answer» A. dubbing | |
| 90. |
Program genres where the unscripted behaviors of ordinary people are the focus of interest is known as_______________________________________ |
| A. | Realism |
| B. | actuality footage |
| C. | naturalism |
| D. | reality TV |
| Answer» B. actuality footage | |
| 91. |
__________________________is not a type of liner editing |
| A. | assemble editing |
| B. | insert editing |
| C. | A/B roll editing |
| D. | slide editing |
| Answer» C. A/B roll editing | |
| 92. |
Program genres where the unscripted behaviors of ordinary people are the focus of interest is known as __________________________ |
| A. | Realism |
| B. | actuality footage |
| C. | naturalism |
| D. | reality TV |
| Answer» B. actuality footage | |
| 93. |
_________________________is not a type of liner editing |
| A. | assemble editing |
| B. | insert editing |
| C. | A/B roll editing |
| D. | slide editing |
| Answer» C. A/B roll editing | |
| 94. |
Film strip normally runs at a speed of ________ per second. |
| A. | 24 frames |
| B. | 25 frames |
| C. | 30 frames |
| D. | 16 frames |
| Answer» A. 24 frames | |
| 95. |
Camera angles, continuity, cutting, close – ups and _________ are the five C’s of Cinematography |
| A. | compulsion |
| B. | calculation |
| C. | co-operation |
| D. | composition |
| Answer» B. calculation | |
| 96. |
The video effect that slowly replaces one image on the screen with another is known as___________ |
| A. | bumper |
| B. | bridge |
| C. | dissolve |
| D. | crash |
| Answer» C. dissolve | |
| 97. |
Which of the following is not part of the five C’s of cinematography |
| A. | compulsion |
| B. | camera angles |
| C. | cutting |
| D. | composition |
| Answer» D. composition | |
| 98. |
Candid pictures |
| A. | Posed picture |
| B. | Un posed pict |
| C. | Group photo |
| D. | None of the above |
| Answer» B. Un posed pict | |
| 99. |
Composition |
| A. | Arrangements of camera parts |
| B. | Pleasing arrangements of elements |
| C. | Focusing |
| D. | None of the above |
| Answer» B. Pleasing arrangements of elements | |
| 100. |
The first shot is a man looking up. The second shot is a low angle shot of a high rise apartment. The second shot is a _____________________________shot |
| A. | long shot |
| B. | mid – shot |
| C. | extreme long shot |
| D. | point - of – view |
| Answer» D. point - of – view | |
Done Studing? Take A Test.
Great job completing your study session! Now it's time to put your knowledge to the test. Challenge yourself, see how much you've learned, and identify areas for improvement. Don’t worry, this is all part of the journey to mastery. Ready for the next step? Take a quiz to solidify what you've just studied.