McqMate
These multiple-choice questions (MCQs) are designed to enhance your knowledge and understanding in the following areas: Bachelor Multimedia Communication (BMMC) .
| 1. |
Action |
| A. | the scene description, character movement, described in a screenplay |
| B. | font character |
| C. | action script |
| D. | none of the above. |
| Answer» A. the scene description, character movement, described in a screenplay | |
| 2. |
AERIAL SHOT |
| A. | shot be taken from a plane |
| B. | wide angle shot |
| C. | shot taken by macro lens |
| D. | none of the above. |
| Answer» A. shot be taken from a plane | |
| 3. |
ANGLE ON |
| A. | scenes taking place in large settings |
| B. | scene taking place in corner |
| C. | scene in a room |
| D. | none of the above. |
| Answer» A. scenes taking place in large settings | |
| 4. |
Beat |
| A. | the actor should pause a moment, in silence, before continuing the scene |
| B. | statement |
| C. | interview |
| D. | none of the above. |
| Answer» A. the actor should pause a moment, in silence, before continuing the scene | |
| 5. |
b.g. |
| A. | curtain |
| B. | anything occurring in a rear plane of action |
| C. | below ground |
| D. | none of the above. |
| Answer» B. anything occurring in a rear plane of action | |
| 6. |
Character |
| A. | character actor |
| B. | the character\s name can then be written in script |
| C. | behavior |
| D. | none of the above. |
| Answer» B. the character\s name can then be written in script | |
| 7. |
INSERT |
| A. | insert an actor |
| B. | bring something very small into full frame |
| C. | inserting a page |
| D. | none of the above |
| Answer» B. bring something very small into full frame | |
| 8. |
Extreme Long Shot |
| A. | to give a general impression rather than specific information |
| B. | large size of shot |
| C. | big close up |
| D. | none of the above |
| Answer» A. to give a general impression rather than specific information | |
| 9. |
Long Shot |
| A. | showing the entire human body |
| B. | showing close up |
| C. | showing apart |
| D. | none of the above |
| Answer» A. showing the entire human body | |
| 10. |
Medium Shot |
| A. | a figure from the knees/waist up |
| B. | full figure |
| C. | back ground |
| D. | none of the above |
| Answer» A. a figure from the knees/waist up | |
| 11. |
Close-Up |
| A. | this shows very little background, and concentrates on either a face |
| B. | full figure |
| C. | action |
| D. | none of the above |
| Answer» A. this shows very little background, and concentrates on either a face | |
| 12. |
Extreme Close-Up |
| A. | an extreme version of the close up |
| B. | long shot of a character |
| C. | full figure |
| D. | none of the above |
| Answer» A. an extreme version of the close up | |
| 13. |
CLOSE ON |
| A. | shot description for a close-up |
| B. | closing of shots |
| C. | start |
| D. | none of the above |
| Answer» A. shot description for a close-up | |
| 14. |
CLOSER ANGLE |
| A. | new angle nearer to the subject. |
| B. | corner of an interior room |
| C. | close up |
| D. | none of the above |
| Answer» A. new angle nearer to the subject. | |
| 15. |
CONTINUOUS |
| A. | action that moves from one location to another without any interruptions in time |
| B. | continuity |
| C. | page continuity |
| D. | none of the above |
| Answer» A. action that moves from one location to another without any interruptions in time | |
| 16. |
CRAWL |
| A. | superimposed titles move across on screen |
| B. | a camera movement |
| C. | an equipment |
| D. | a trolley. |
| Answer» A. superimposed titles move across on screen | |
| 17. |
CROSSFADE: |
| A. | fade to black then fade to next scene |
| B. | cross fire |
| C. | crossing of unwanted elements |
| D. | none of the above |
| Answer» A. fade to black then fade to next scene | |
| 18. |
Dialog |
| A. | people are supposed to say according to the script |
| B. | discussion with script writer and director |
| C. | title card |
| D. | none of the above |
| Answer» A. people are supposed to say according to the script | |
| 19. |
Director |
| A. | head of an institution |
| B. | person converting a script into a movie. |
| C. | set designer |
| D. | none of the above |
| Answer» B. person converting a script into a movie. | |
| 20. |
DISSOLVE TO |
| A. | a common transition |
| B. | dissolving materials |
| C. | solving an issue |
| D. | none of the above |
| Answer» A. a common transition | |
| 21. |
Dolly |
| A. | a mechanism for camera movement |
| B. | a chair carrying actors |
| C. | a game |
| D. | none of the above |
| Answer» A. a mechanism for camera movement | |
| 22. |
ESTABLISHING SHOT |
| A. | establishment |
| B. | beginning of a film to suggest where the story takes place |
| C. | final shot |
| D. | none of the above |
| Answer» B. beginning of a film to suggest where the story takes place | |
| 23. |
EXT. |
| A. | scene takes place out of doors |
| B. | extra actor |
| C. | extra properties |
| D. | none of the above |
| Answer» A. scene takes place out of doors | |
| 24. |
EXTREMELY LONG SHOT (XLS): |
| A. | very long distance from the subject or action |
| B. | panoramic shot |
| C. | close up shot |
| D. | none of the above |
| Answer» A. very long distance from the subject or action | |
| 25. |
FADE OUT |
| A. | image appear in to frame |
| B. | image slowly disappear to black |
| C. | image transit to another frame |
| D. | none of the above |
| Answer» B. image slowly disappear to black | |
| 26. |
DISSOLVE TO |
| A. | image appear in to frame |
| B. | image slowly disappear to black |
| C. | image transit to another frame |
| D. | none of the above |
| Answer» C. image transit to another frame | |
| 27. |
NEXT SCENE |
| A. | next chapter |
| B. | not the end of the movie, but end of a major movement |
| C. | next page |
| D. | none of the above |
| Answer» B. not the end of the movie, but end of a major movement | |
| 28. |
FAVOR ON |
| A. | a particular character or action is highlighted or "favored" in a shot |
| B. | in favor of |
| C. | favoring a character |
| D. | none of the above |
| Answer» A. a particular character or action is highlighted or "favored" in a shot | |
| 29. |
Feature Film |
| A. | any film at least one hour long that people pay to see |
| B. | documentary |
| C. | advertorial |
| D. | none of the above |
| Answer» A. any film at least one hour long that people pay to see | |
| 30. |
Final Draft |
| A. | writers last rewrite of a script |
| B. | drafting |
| C. | fair copy |
| D. | shooting script |
| Answer» A. writers last rewrite of a script | |
| 31. |
FREEZE FRAME: |
| A. | the picture stops moving, becoming a still for a period of time |
| B. | frame of mist or ice berg |
| C. | end of a movie |
| D. | none of the above |
| Answer» A. the picture stops moving, becoming a still for a period of time | |
| 32. |
INSERT |
| A. | a scene that must be given the camera\s full attention for a moment |
| B. | inserting a picture |
| C. | inserting a dialogue |
| D. | none of the above |
| Answer» A. a scene that must be given the camera\s full attention for a moment | |
| 33. |
INT. |
| A. | scene takes place indoors |
| B. | international movie |
| C. | interesting scene |
| D. | none of the above |
| Answer» A. scene takes place indoors | |
| 34. |
Intercutting |
| A. | at a point, two scenes will be shown a few moments each, back and forth |
| B. | cut between shots |
| C. | clapping |
| D. | none of the above |
| Answer» A. at a point, two scenes will be shown a few moments each, back and forth | |
| 35. |
Decoding |
| A. | convert text to code |
| B. | convert code to text |
| C. | convert to code to another code |
| D. | none of the above |
| Answer» B. convert code to text | |
| 36. |
IN to View |
| A. | to reveal more of the scene |
| B. | arial shot |
| C. | wide angle |
| D. | close up |
| Answer» A. to reveal more of the scene | |
| 37. |
Encoding |
| A. | convert text to code |
| B. | convert code to text |
| C. | convert to code to another code |
| D. | none of the above |
| Answer» A. convert text to code | |
| 38. |
Iris Out |
| A. | transition from one to another frame |
| B. | a black circle closes to end a scene |
| C. | fade in |
| D. | fade out |
| Answer» A. transition from one to another frame | |
| 39. |
wipe. |
| A. | erasing |
| B. | a transition |
| C. | cleaning |
| D. | none of the above |
| Answer» B. a transition | |
| 40. |
JUMP CUT TO: |
| A. | a transition |
| B. | action |
| C. | fight scene |
| D. | none of the above |
| Answer» A. a transition | |
| 41. |
LAP DISSOLVE: |
| A. | fading out one shot while the next one grows clearer |
| B. | last shot |
| C. | beginning shot |
| D. | none of the above |
| Answer» A. fading out one shot while the next one grows clearer | |
| 42. |
MATCH CUT TO: |
| A. | a transition often used to compare two completely unrelated objects |
| B. | cutting film |
| C. | removing |
| D. | none of the above |
| Answer» A. a transition often used to compare two completely unrelated objects | |
| 43. |
MATCH DISSOLVE TO |
| A. | fade in |
| B. | a match dissolve involves two objects of similar color, shape, |
| C. | not atransition |
| D. | none of the above |
| Answer» B. a match dissolve involves two objects of similar color, shape, | |
| 44. |
Montage |
| A. | a series of images showing a theme |
| B. | historic scene |
| C. | insert frame |
| D. | none of the above |
| Answer» A. a series of images showing a theme | |
| 45. |
MOS |
| A. | moment of silence |
| B. | movement of scene |
| C. | motion of systems |
| D. | none of the above |
| Answer» A. moment of silence | |
| 46. |
or O.C. |
| A. | off-screen or off-camera |
| B. | offset camera |
| C. | optical camera |
| D. | none of the above |
| Answer» A. off-screen or off-camera | |
| 47. |
Pan |
| A. | camera turning on a stationary axis |
| B. | trolley |
| C. | close up |
| D. | none of the above |
| Answer» A. camera turning on a stationary axis | |
| 48. |
|
| A. | cross-platform portable document format |
| B. | picture division format |
| C. | photograph digital frame |
| D. | none of the above |
| Answer» A. cross-platform portable document format | |
| 49. |
POV |
| A. | point of view |
| B. | picture of vision |
| C. | photographs of visual |
| D. | none of the above |
| Answer» A. point of view | |
| 50. |
PUSH IN: |
| A. | the camera physically moves towards a subject |
| B. | fighting scene |
| C. | movement |
| D. | none of the above |
| Answer» A. the camera physically moves towards a subject | |
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