McqMate
| 1. |
What is the most common colour mode used for printing purpose? |
| A. | cmyk |
| B. | rgb |
| C. | lab colour |
| D. | ygb |
| Answer» A. cmyk | |
| 2. |
Pick the odd one out |
| A. | proximity |
| B. | proportion |
| C. | texture |
| D. | balance |
| Answer» C. texture | |
| 3. |
Pick the hexadecimal web-safe colour code for Red |
| A. | #fef |
| B. | #00f |
| C. | #f00 |
| D. | #eeo |
| Answer» C. #f00 | |
| 4. |
How many colour channels are available in an RGB image by default? |
| A. | 4. |
| B. | 3. |
| C. | 2. |
| D. | 1. |
| Answer» B. 3. | |
| 5. |
Which one of the following is the colour mode used by monitors? |
| A. | cmyk |
| B. | rgb |
| C. | lab colour. |
| D. | greyscale |
| Answer» B. rgb | |
| 6. |
How many colour channels are available in a greyscale image by default? |
| A. | 4. |
| B. | 3. |
| C. | 2. |
| D. | 1. |
| Answer» D. 1. | |
| 7. |
RYB |
| A. | colour model for print |
| B. | colour model for web |
| C. | colour model for drawing |
| D. | none of the above |
| Answer» C. colour model for drawing | |
| 8. |
Which one of the following is not a principle of design? |
| A. | shape |
| B. | contrast |
| C. | unity |
| D. | balance |
| Answer» A. shape | |
| 9. |
Creativity |
| A. | origination of new thing |
| B. | duplication |
| C. | modified design |
| D. | none of the above |
| Answer» A. origination of new thing | |
| 10. |
Visual Thinking |
| A. | thinking through visual processing |
| B. | thinking without imagination |
| C. | thinking without ideas |
| D. | none of the above |
| Answer» A. thinking through visual processing | |
| 11. |
A4 size |
| A. | 20x19 cm |
| B. | 29.7 x 21 cm |
| C. | 28x22 cm |
| D. | 30x20 cm |
| Answer» B. 29.7 x 21 cm | |
| 12. |
Perspective |
| A. | parallel lines |
| B. | effect of distance |
| C. | bitmaps |
| D. | none of the above |
| Answer» B. effect of distance | |
| 13. |
Background |
| A. | farthest plane of the picture |
| B. | nearest plane of the picture |
| C. | base of the picture |
| D. | none of the above |
| Answer» A. farthest plane of the picture | |
| 14. |
Design |
| A. | concept of a work of art |
| B. | print production |
| C. | lamination |
| D. | post production |
| Answer» A. concept of a work of art | |
| 15. |
Foreground |
| A. | nearer view of an image |
| B. | farthest view of a picture |
| C. | bottom of the image |
| D. | none of the above |
| Answer» A. nearer view of an image | |
| 16. |
Pattern |
| A. | forms repeated in a design |
| B. | form |
| C. | content |
| D. | proportion |
| Answer» A. forms repeated in a design | |
| 17. |
Proportion |
| A. | the size relationships |
| B. | unity |
| C. | harmony |
| D. | contrast |
| Answer» A. the size relationships | |
| 18. |
The arrangement of the visual elements |
| A. | composition |
| B. | unity |
| C. | harmony |
| D. | contrast |
| Answer» A. composition | |
| 19. |
Difference in colour and light |
| A. | harmony |
| B. | contrast |
| C. | unity |
| D. | balance |
| Answer» B. contrast | |
| 20. |
Contrast |
| A. | difference against each other. |
| B. | difference in elements |
| C. | difference in image |
| D. | none of the above |
| Answer» A. difference against each other. | |
| 21. |
Rhythm |
| A. | alteration in sequence |
| B. | abnormal change |
| C. | equilibrium of elements |
| D. | surface feel of an object |
| Answer» A. alteration in sequence | |
| 22. |
Balance |
| A. | difference in elements |
| B. | surface feel of an object. |
| C. | the equilibrium of elements |
| D. | abnormal change |
| Answer» C. the equilibrium of elements | |
| 23. |
Texture |
| A. | difference in elements |
| B. | difference in image |
| C. | none of the above |
| D. | the surface feel of an object. |
| Answer» D. the surface feel of an object. | |
| 24. |
Design |
| A. | scheme of pictorial construction |
| B. | organized collection of work. |
| C. | post production |
| D. | none of the above |
| Answer» A. scheme of pictorial construction | |
| 25. |
Three-dimensional: |
| A. | height, width, and depth. |
| B. | height, and width |
| C. | height, and depth |
| D. | none of the above |
| Answer» A. height, width, and depth. | |
| 26. |
Two-dimensional |
| A. | height, width, and depth. |
| B. | height, and width |
| C. | height, and depth |
| D. | none of the above |
| Answer» B. height, and width | |
| 27. |
Colour separation |
| A. | print production |
| B. | web production |
| C. | post production |
| D. | none of the above |
| Answer» A. print production | |
| 28. |
Portrait painting |
| A. | full figure |
| B. | head |
| C. | group |
| D. | landscape |
| Answer» B. head | |
| 29. |
Tint |
| A. | amount of light reflected |
| B. | a hue at a lighter value |
| C. | a hue at a darker value |
| D. | the reflection source of light |
| Answer» B. a hue at a lighter value | |
| 30. |
Shade |
| A. | amount of light reflected |
| B. | a hue at a lighter value |
| C. | a hue at a darker value |
| D. | the reflection source of light |
| Answer» C. a hue at a darker value | |
| 31. |
Tone |
| A. | the character of a colour or value of a surface |
| B. | a hue at a lighter value |
| C. | a hue at a darker value |
| D. | the reflection source of light |
| Answer» A. the character of a colour or value of a surface | |
| 32. |
High Light |
| A. | the character of a colour or value of a surface |
| B. | a hue at a lighter value |
| C. | a hue at a darker value |
| D. | the reflection source of light |
| Answer» D. the reflection source of light | |
| 33. |
Half tone |
| A. | tone between the lighted and the shaded side |
| B. | a hue at a lighter value |
| C. | a hue at a darker value |
| D. | the reflection source of light |
| Answer» A. tone between the lighted and the shaded side | |
| 34. |
Shade |
| A. | deprived of direct light. |
| B. | light rebounding from nearby surfaces |
| C. | light obscured by an object. |
| D. | the reflection source of light |
| Answer» A. deprived of direct light. | |
| 35. |
Reflected Light |
| A. | deprived of direct light. |
| B. | light rebounding from nearby surfaces |
| C. | light obscured by an object. |
| D. | the reflection source of light |
| Answer» B. light rebounding from nearby surfaces | |
| 36. |
Shadow |
| A. | deprived of direct light. |
| B. | light rebounding from nearby surfaces |
| C. | light obscured by an object. |
| D. | the reflection source of light |
| Answer» C. light obscured by an object. | |
| 37. |
An element of art that refers to the lightness or darkness of a color is a ……….. |
| A. | value |
| B. | form |
| C. | space |
| D. | intensity |
| Answer» A. value | |
| 38. |
Complementary colours are used to create…. |
| A. | contrast |
| B. | value |
| C. | density |
| D. | none of the above |
| Answer» A. contrast | |
| 39. |
………………. are colours that are found side by side on the colour wheel, used to create colour harmony. |
| A. | analogous colours |
| B. | complementary colours |
| C. | warm colours |
| D. | cool colours |
| Answer» A. analogous colours | |
| 40. |
…………………colours are tints and shades of one colour. |
| A. | monochromatic colours |
| B. | dichromatic colours |
| C. | monolithic colours |
| D. | bichromatic colours |
| Answer» A. monochromatic colours | |
| 41. |
………….. colours are a group of colours that consist of reds, yellows, and oranges. |
| A. | cool |
| B. | warm |
| C. | uv |
| D. | red |
| Answer» B. warm | |
| 42. |
……….. colours are group of colours that consist of purples, greens, and blues. |
| A. | warm |
| B. | cool |
| C. | blue |
| D. | pale |
| Answer» B. cool | |
| 43. |
………………….. is the arrangement of the objects in a given design as it relates to their visual weight within a composition |
| A. | balance |
| B. | unity |
| C. | rhythm |
| D. | dominance |
| Answer» A. balance | |
| 44. |
……………….relates to varying degrees of emphasis in design. |
| A. | balance |
| B. | unity |
| C. | rhythm |
| D. | dominance |
| Answer» D. dominance | |
| 45. |
……………… is the repetition or alternation of elements, often with defined intervals between them. |
| A. | balance |
| B. | unity |
| C. | rhythm |
| D. | dominance |
| Answer» C. rhythm | |
| 46. |
A…………………….rhythm occurs when the intervals between the elements, and often the elements themselves, are similar in size or length. |
| A. | regular |
| B. | flowing |
| C. | progressive |
| D. | none of the above |
| Answer» A. regular | |
| 47. |
A ………… rhythm gives a sense of movement, and is often more organic in nature. |
| A. | regular |
| B. | flowing |
| C. | progressive |
| D. | none of the above |
| Answer» B. flowing | |
| 48. |
Gesture Drawing |
| A. | movement of action |
| B. | landscapes |
| C. | geometric drawing |
| D. | none of the above |
| Answer» A. movement of action | |
| 49. |
Imagination |
| A. | Ability of skill up gradation |
| B. | Ability of forming new images |
| C. | Ability to learn new |
| D. | None of the above |
| Answer» B. Ability of forming new images | |
| 50. |
Aesthetics |
| A. | Article dealing with science |
| B. | Philosophy dealing with nature of art |
| C. | Article on literature |
| D. | Science of environment |
| Answer» B. Philosophy dealing with nature of art | |
| 51. |
Brochure |
| A. | pamphlet |
| B. | Booklet |
| C. | Posters |
| D. | Slide |
| Answer» A. pamphlet | |
| 52. |
A4 size |
| A. | 20x19 cm |
| B. | 29.7 cm x 21 cm |
| C. | 28x22 cm |
| D. | 30x20 cm |
| Answer» B. 29.7 cm x 21 cm | |
| 53. |
Demy size |
| A. | 20x19 cm |
| B. | 29.7 cm x 21 cm |
| C. | 28x22 cm |
| D. | 56x44cm |
| Answer» D. 56x44cm | |
| 54. |
Crown Size |
| A. | 38.10x50.80 cm |
| B. | 29.7 cm x 21 cm |
| C. | 28x22 cm |
| D. | 56x44cm |
| Answer» B. 29.7 cm x 21 cm | |
| 55. |
Not a part of design principles |
| A. | Form |
| B. | Content |
| C. | Unity |
| D. | ratio |
| Answer» D. ratio | |
| 56. |
Design software |
| A. | 3D Max |
| B. | Excel |
| C. | Java |
| D. | Net |
| Answer» A. 3D Max | |
| 57. |
Vector graphics |
| A. | Lines |
| B. | bitmaps |
| C. | Pixel |
| D. | None of the above |
| Answer» A. Lines | |
| 58. |
Perspective |
| A. | Parallel lines |
| B. | Effect of distance |
| C. | Bitmaps. |
| D. | None of the above |
| Answer» B. Effect of distance | |
| 59. |
Color harmony |
| A. | Pleasing arrangements of colour |
| B. | Contrast of colours |
| C. | Complexity |
| D. | None of the above |
| Answer» A. Pleasing arrangements of colour | |
| 60. |
Curvature |
| A. | Angle of a line |
| B. | Bending of a line |
| C. | Width of a line |
| D. | length of a line |
| Answer» B. Bending of a line | |
| 61. |
Design: |
| A. | Concept of a work of art |
| B. | Print production |
| C. | Lamination |
| D. | post production |
| Answer» A. Concept of a work of art | |
| 62. |
Distortion |
| A. | Curvature |
| B. | Twist of shape |
| C. | parellal lines |
| D. | None of the above |
| Answer» A. Curvature | |
| 63. |
Figurative |
| A. | Geometric drawing |
| B. | Landscape |
| C. | gesture drawings |
| D. | None of the above |
| Answer» C. gesture drawings | |
| 64. |
Line Direction: |
| A. | vertical |
| B. | parallel |
| C. | square |
| D. | Rectangle |
| Answer» A. vertical | |
| 65. |
Media |
| A. | Concept of a work of art |
| B. | Materials used to create art |
| C. | Mood in art |
| D. | None of the above |
| Answer» B. Materials used to create art | |
| 66. |
Content |
| A. | Text matter for a design |
| B. | Concept of a work of art |
| C. | Design elements |
| D. | None of the above |
| Answer» A. Text matter for a design | |
| 67. |
Portfolio |
| A. | Script of a work |
| B. | organized collection of work. |
| C. | post production |
| D. | None of the above |
| Answer» B. organized collection of work. | |
| 68. |
Proportion |
| A. | The size relationships |
| B. | Unity |
| C. | Harmony |
| D. | Contrast |
| Answer» B. Unity | |
| 69. |
Page design software |
| A. | Indesign |
| B. | Excel |
| C. | 3D max |
| D. | Power point. |
| Answer» A. Indesign | |
| 70. |
Surface Quality |
| A. | Harmony |
| B. | Texture |
| C. | Balance |
| D. | Unity |
| Answer» B. Texture | |
| 71. |
Not related to image format |
| A. | JPEG |
| B. | TIFF |
| C. | WAV |
| D. | BMP |
| Answer» C. WAV | |
| 72. |
Rhythm |
| A. | Alteration in sequence |
| B. | Abnormal change |
| C. | equilibrium of elements |
| D. | surface feel of an object. |
| Answer» A. Alteration in sequence | |
| 73. |
Composition |
| A. | organizing all the elements of a work of art |
| B. | Abnormal change |
| C. | equilibrium of elements |
| D. | surface feel of an object. |
| Answer» A. organizing all the elements of a work of art | |
| 74. |
Size |
| A. | The extent of a shape |
| B. | The specific spatial character |
| C. | solidity or mass |
| D. | Extension in any direction |
| Answer» A. The extent of a shape | |
| 75. |
Shape |
| A. | The extent of a shape |
| B. | The specific spatial character |
| C. | solidity or mass |
| D. | Extension in any direction |
| Answer» A. The extent of a shape | |
| 76. |
Volume |
| A. | The extent of a shape |
| B. | The specific spatial character |
| C. | solidity or mass |
| D. | Extension in any direction |
| Answer» C. solidity or mass | |
| 77. |
Outline |
| A. | Edge of a shape. |
| B. | The extent of a shape |
| C. | solidity or mass |
| D. | Extension in any direction |
| Answer» A. Edge of a shape. | |
| 78. |
Space |
| A. | The extent of a shape |
| B. | The specific spatial character |
| C. | solidity or mass |
| D. | Extension in any direction |
| Answer» D. Extension in any direction | |
| 79. |
Abstract |
| A. | Non realistic art |
| B. | Realistic art |
| C. | Classical art |
| D. | None of the above |
| Answer» A. Non realistic art | |
| 80. |
Colour separation |
| A. | pre production |
| B. | Production |
| C. | Post production |
| D. | None of the above |
| Answer» A. pre production | |
| 81. |
Pre press |
| A. | Scanning |
| B. | Printing |
| C. | Binding |
| D. | Lamination |
| Answer» A. Scanning | |
| 82. |
Realism |
| A. | real life |
| B. | Abstract |
| C. | Pointillism |
| D. | None of the above |
| Answer» A. real life | |
| 83. |
Neo-Realism |
| A. | real life |
| B. | Abstract |
| C. | Pointillism |
| D. | emphasis on detail. |
| Answer» D. emphasis on detail. | |
| 84. |
Impressionism |
| A. | impression by the effects of light |
| B. | Abstract |
| C. | Pointillism |
| D. | emphasis on detail. |
| Answer» A. impression by the effects of light | |
| 85. |
Neo-Impressionism |
| A. | impression by the effects of light |
| B. | Abstract |
| C. | Pointillism |
| D. | emphasis on the visual impression. |
| Answer» D. emphasis on the visual impression. | |
| 86. |
Expressionism |
| A. | painting express emotional experience |
| B. | Abstract |
| C. | Pointillism |
| D. | emphasis on detail |
| Answer» A. painting express emotional experience | |
| 87. |
Spectrum |
| A. | The saturation or strength of a color |
| B. | The band of individual colors |
| C. | factors of hue, value, and intensity |
| D. | A hue at a darker value |
| Answer» B. The band of individual colors | |
| 88. |
Intensity |
| A. | The saturation or strength of a color |
| B. | The band of individual colors |
| C. | factors of hue, value, and intensity |
| D. | A hue at a darker value |
| Answer» A. The saturation or strength of a color | |
| 89. |
Value |
| A. | amount of light reflected |
| B. | A hue at a lighter value |
| C. | A hue at a darker value |
| D. | The reflection source of light |
| Answer» A. amount of light reflected | |
| 90. |
Tone |
| A. | The character of a color or value of a surface |
| B. | A hue at a lighter value |
| C. | A hue at a darker value |
| D. | The reflection source of light |
| Answer» A. The character of a color or value of a surface | |
| 91. |
High Light |
| A. | The character of a color or value of a surface |
| B. | A hue at a lighter value |
| C. | A hue at a darker value |
| D. | The reflection source of light |
| Answer» D. The reflection source of light | |
| 92. |
Reflected Light |
| A. | deprived of direct light. |
| B. | light rebounding from nearby surfaces |
| C. | light obscured by an object. |
| D. | The reflection source of light |
| Answer» A. deprived of direct light. | |
| 93. |
Fresco |
| A. | Projected panel |
| B. | 3D Sculpture |
| C. | Mural |
| D. | None of the above |
| Answer» A. Projected panel | |
| 94. |
Which among the following is a design element? |
| A. | Value |
| B. | colour |
| C. | space |
| D. | all of the above |
| Answer» D. all of the above | |
| 95. |
………. refers to the space of a shape representing the subject matter. |
| A. | positive space |
| B. | negative space |
| C. | form |
| D. | Value |
| Answer» A. positive space | |
| 96. |
Complementary colors are used to create…. |
| A. | contrast |
| B. | Value |
| C. | density |
| D. | none of the above |
| Answer» A. contrast | |
| 97. |
………………. are colors that are found side by side on the color wheel, used to create color harmony. |
| A. | Analogous colours |
| B. | complementary colours |
| C. | warm colours |
| D. | cool colours |
| Answer» A. Analogous colours | |
| 98. |
…………………colors are tints and shades of one color. |
| A. | monochromatic colors |
| B. | dichromatic colours |
| C. | monolithic colours |
| D. | bichromatic colours |
| Answer» A. monochromatic colors | |
| 99. |
………….. colors are a group of colors that consist of reds, yellows, and oranges. |
| A. | cool |
| B. | warm |
| C. | uv |
| D. | red |
| Answer» B. warm | |
| 100. |
……….. colors are group of colors that consist of purples, greens, and blues. |
| A. | warm |
| B. | cool |
| C. | blue |
| D. | pale |
| Answer» B. cool | |
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