McqMate
| 101. |
Marx identifies the alienation of modern man in his aesthetic life is the result of: |
| A. | social system |
| B. | capitalist system |
| C. | religious system |
| D. | intellectual system |
| Answer» B. capitalist system | |
| 102. |
Who identifies man as a creative animal? |
| A. | karl max |
| B. | plato |
| C. | aristotle |
| D. | sigmund freud |
| Answer» A. karl max | |
| 103. |
According to Marx -------------- enrich the creativity of man. |
| A. | sensation |
| B. | god |
| C. | soul |
| D. | nature |
| Answer» D. nature | |
| 104. |
Marx says art is mutual contribution of man and-----------------. |
| A. | society |
| B. | nature |
| C. | reason |
| D. | power |
| Answer» B. nature | |
| 105. |
Marx argues that in the creative process nature is humanized and man is: |
| A. | divinized |
| B. | reformed |
| C. | socialized |
| D. | naturalized |
| Answer» D. naturalized | |
| 106. |
Proper development of five senses of human, which are the tools for human creativity, is impossible in a ------------- society according to Marx. |
| A. | classless |
| B. | class |
| C. | flexible |
| D. | liberal |
| Answer» B. class | |
| 107. |
Marx applied his ---------------------- method to the sphere of aesthetics. |
| A. | dialectical materialism |
| B. | dialectical spiritualism |
| C. | phenomenological |
| Answer» A. dialectical materialism | |
| 108. |
Marx insisted art should be: |
| A. | politically beneficial |
| B. | individually beneficial |
| C. | socially beneficial |
| Answer» C. socially beneficial | |
| 109. |
Max believes ----------------- affect the very nature of artistic activity of a society. |
| A. | intellectualcapacities |
| B. | social conditions |
| C. | class relations |
| D. | both ‘b’ and ‘c’ |
| Answer» B. social conditions | |
| 110. |
Marx argues that along with representing the social conditions, -------------should help to improve the social conditions. |
| A. | politics |
| B. | art |
| C. | education |
| D. | religion |
| Answer» B. art | |
| 111. |
Marxian theory of aesthetics has strongly embedded with his ideology of: 9 |
| A. | transcendentalism |
| B. | socialism |
| C. | social realism |
| D. | formalism |
| Answer» C. social realism | |
| 112. |
According to Marx --------------- representation of social conditions is the responsibility of art and artist. |
| A. | realistic |
| B. | imaginary |
| C. | vague |
| D. | subjective |
| Answer» A. realistic | |
| 113. |
According to Marx art is the part of -------------------- , and was therefore influenced by the economy. |
| A. | logical structure |
| B. | imaginative structure |
| C. | superstructure |
| D. | religious |
| Answer» C. superstructure | |
| 114. |
In his writings Marx mentioned the --------------- took away the aesthetic sense. |
| A. | capitalism |
| B. | socialism |
| C. | egoism |
| D. | liberalism |
| Answer» A. capitalism | |
| 115. |
Marx explains ------------------ makes impossibility of disinterested appreciation of beauty. |
| A. | socialism |
| B. | egoism |
| C. | liberalism |
| D. | capitalism |
| Answer» D. capitalism | |
| 116. |
Marx considered capitalism brought -------------------- value to art. |
| A. | aesthetic |
| B. | monitory |
| C. | transcendental |
| D. | ethical |
| Answer» B. monitory | |
| 117. |
Marx believed art should serve the ------------------- of awakening society to their pain. |
| A. | spiritual function |
| B. | ethical function |
| C. | social function |
| D. | both ‘a’ and |
| Answer» C. social function | |
| 118. |
Marx said art cannot be beautiful until ------------------- has been established. |
| A. | communism |
| B. | socialism |
| C. | materialism |
| D. | both ‘a’ and ‘b’ |
| Answer» D. both ‘a’ and ‘b’ | |
| 119. |
In Marx’s opinion ------------- brought monitory value to art. |
| A. | proletarian revaluation |
| B. | capitalism |
| C. | industrialism |
| D. | scientific revaluation |
| Answer» B. capitalism | |
| 120. |
Artist as the ----------------------- of the society according to Marx. |
| A. | teacher |
| B. | torch bearer |
| C. | intellectual head |
| D. | spiritual leader |
| Answer» B. torch bearer | |
| 121. |
Marxism observed work of art is a consumer object in a: |
| A. | socialist society |
| B. | capitalist society |
| C. | spiritualist society |
| D. | hedonist society |
| Answer» B. capitalist society | |
| 122. |
Which ideology stated that Artist is always a part of the culture? |
| A. | idealism |
| B. | formalism |
| C. | phenomenalism |
| D. | marxism |
| Answer» D. marxism | |
| 123. |
Identify the work of A. G. Baumgarten. |
| A. | poetics |
| B. | timaeus |
| C. | beauty and art |
| D. | reflections on poetry |
| Answer» D. reflections on poetry | |
| 124. |
Hegel’s aesthetic position deeply rooted in his metaphysical view of: 10 |
| A. | subjective idealism |
| B. | objective idealism |
| C. | absolute idealism |
| D. | universal |
| Answer» C. absolute idealism | |
| 125. |
According to Hegel ---------------- give full expression of Geist. |
| A. | romantic art |
| B. | classical art |
| C. | symbolic art |
| D. | modern art |
| Answer» A. romantic art | |
| 126. |
Hegel regards ‘Geist’ is half articulated in: |
| A. | romantic art |
| B. | modern art |
| C. | symbolic art |
| D. | both ‘a’ and ‘b’ |
| Answer» C. symbolic art | |
| 127. |
Geist gets full expression in: |
| A. | architecture |
| B. | sculpture |
| C. | drama |
| D. | poetry |
| Answer» D. poetry | |
| 128. |
Theory of Imitation is also called as: |
| A. | theory of mimesis |
| B. | theory of mimestics |
| C. | theory of mimenis |
| D. | theory of |
| Answer» A. theory of mimesis | |
| 129. |
Who rehabilitate imitation as the foundation of moral education? |
| A. | plato |
| B. | kant |
| C. | aristotle |
| D. | marx |
| Answer» A. plato | |
| 130. |
Aristotle explains music, dance, and poetry are the instruments for: |
| A. | enjoyment only |
| B. | character formation |
| C. | character depletion |
| D. | pleasure |
| Answer» B. character formation | |
| 131. |
Freud applied ------------------------- to his theory of aesthetics. |
| A. | phenomenological method |
| B. | psychoanalytical method |
| C. | dialectical method |
| Answer» B. psychoanalytical method | |
| 132. |
For Freud physical world is: |
| A. | changing |
| B. | unreal |
| C. | real |
| D. | neither real nor unreal |
| Answer» C. real | |
| 133. |
Bring out the fundamental drives from which all human action are derived by the opinion of Freud. |
| A. | love and hate |
| B. | sex and aggression |
| C. | fear and dread |
| D. | pleasure and pain |
| Answer» B. sex and aggression | |
| 134. |
In the opinion of Freud------------------------- treated as the binary code of entire human action |
| A. | peace and agitation |
| B. | love and death |
| C. | fear and anguish |
| D. | pleasure and pain |
| Answer» B. love and death | |
| 135. |
Freud related his theory of appreciation of art to the: |
| A. | pleasure principle |
| B. | ethical principle |
| C. | economic principle |
| D. | social principle |
| Answer» A. pleasure principle | |
| 136. |
According to Freud art appreciation ultimately leads: |
| A. | moral satisfaction |
| B. | intellectual satisfaction |
| C. | sublimated sexual satisfaction |
| D. | emotional satisfaction |
| Answer» C. sublimated sexual satisfaction | |
| 137. |
-------------------- is both healthy and necessary for civilization, according to Freud. |
| A. | dreams |
| B. | sublimation |
| C. | repression |
| D. | ethical satisfaction |
| Answer» B. sublimation | |
| 138. |
Freud argues that ---------------------- substitutes desires as socially desirable activities. |
| A. | dreams |
| B. | repression |
| C. | psychological exercises |
| D. | sublimation |
| Answer» D. sublimation | |
| 139. |
Freud asserts that, successfully sublimated sexuality is a: |
| A. | force |
| B. | negative force |
| C. | positive force |
| D. | directive force |
| Answer» C. positive force | |
| 140. |
Freud said --------------------- has a peculiar, mildly intoxication quality of feeling. |
| A. | enjoyment of beauty |
| B. | suppression of emotions |
| C. | repression of enjoyment |
| D. | enjoyment of dreams |
| Answer» A. enjoyment of beauty | |
| 141. |
Freud said, ----------- allows repressed behavior to be expressed in a constructive way. |
| A. | instincts |
| B. | dream |
| C. | art |
| D. | freedom |
| Answer» C. art | |
| 142. |
Art giving a -------------------- affect to both the artist and the viewers, said Freud. |
| A. | soothing |
| B. | narcotic |
| C. | negative |
| D. | passive |
| Answer» B. narcotic | |
| 143. |
According to Freud art is a -------------- fulfilled in a physical and tangible way. |
| A. | emotion |
| B. | imagination |
| C. | action |
| D. | wish |
| Answer» D. wish | |
| 144. |
Freud called basic primitive desire of the personality as: |
| A. | libido |
| B. | id |
| C. | ego |
| D. | super ego |
| Answer» B. id | |
| 145. |
-------------------- longs for pleasure gratification according Freud. |
| A. | id |
| B. | ego |
| C. | super ego |
| D. | libido |
| Answer» A. id | |
| 146. |
In his theory of art Freud observed that, the pleasure in music involves the release of: |
| A. | ego |
| B. | super ego |
| C. | libido |
| D. | id |
| Answer» C. libido | |
| 147. |
Creating art without conscious thought is called: |
| A. | aesthetic automatism |
| B. | aesthetic spontaneity |
| C. | artistic sublimity |
| D. | artistic |
| Answer» A. aesthetic automatism | |
| 148. |
Freudian version of aesthetical theory is known as: |
| A. | artistic automatism |
| B. | theory of sublimation |
| C. | aesthetic automatism |
| D. | aesthetic formalism |
| Answer» C. aesthetic automatism | |
| 149. |
Who employed the concept of Aesthetic automatism in art? |
| A. | freud |
| B. | aristotle |
| C. | marx |
| D. | hegel |
| Answer» A. freud | |
| 150. |
Aesthetic automatism made a strong influence upon: |
| A. | romanticism |
| B. | expressionism |
| C. | realism |
| D. | surrealism |
| Answer» D. surrealism | |
| 151. |
-------------------- is a positive force according to Freud. |
| A. | sexuality |
| B. | libido |
| C. | sublimate sexuality |
| D. | sublimate spirituality |
| Answer» C. sublimate sexuality | |
| 152. |
Aesthetics for Freud is a form of: |
| A. | release of ego |
| B. | wish fulfillment |
| C. | dream fulfillment |
| D. | release of super ego |
| Answer» B. wish fulfillment | |
| 153. |
Freud stated that, ----------------------- is a way to project neurosis, pain and trauma on to a canvas or music. |
| A. | sublimation |
| B. | expression |
| C. | daydreaming |
| D. | both ‘a’ and ‘b’ |
| Answer» A. sublimation | |
| 154. |
The school of ----------------- treats beauty as an experience rather than an objective quality of the object. |
| A. | representationalism |
| B. | idealism |
| C. | phenomenalism |
| D. | rationalism |
| Answer» C. phenomenalism | |
| 155. |
------------------------- is not just any reaction but very vital and important experience. |
| A. | intellectual experience |
| B. | aesthetic experience |
| C. | artistic creation |
| D. | musical |
| Answer» B. aesthetic experience | |
| 156. |
To call something beautiful or artistic is to declare that it is a source of: |
| A. | enjoyment |
| B. | spiritualistic experience |
| C. | intellectual experience |
| D. | aesthetic |
| Answer» D. aesthetic | |
| 157. |
An object as aesthetically valuable always depends upon the extent of the ---------------------------- of the aesthetic experience itself. |
| A. | quantitative excellence |
| B. | qualitative excellence |
| C. | empirical excellence |
| D. | spiritualistic excellence |
| Answer» B. qualitative excellence | |
| 158. |
Indian thinkers called the aesthetic experience as: |
| A. | rasanubhuti |
| B. | sancharibhava |
| C. | rasa |
| D. | vibhava |
| Answer» A. rasanubhuti | |
| 159. |
For -------------------- aesthetical experience is undesirable. |
| A. | kant |
| B. | hegel |
| C. | plato |
| D. | aristotle |
| Answer» C. plato | |
| 160. |
Who elevated aesthetic experiences to a healthy cathartic influence? |
| A. | kant |
| B. | hegel |
| C. | plato |
| D. | aristotle |
| Answer» D. aristotle | |
| 161. |
Most of the modern theories of aesthetics consider both ------------------------- as the source of aesthetic experience. |
| A. | art and beauty |
| B. | art and music |
| C. | music and poetry |
| D. | poetry and drama |
| Answer» A. art and beauty | |
| 162. |
According to modern Aesthetic thinkers main feature of aesthetic experience is: |
| A. | pleasure |
| B. | satisfaction |
| C. | disinterested pleasure |
| D. | self-realization |
| Answer» C. disinterested pleasure | |
| 163. |
The element of --------------------- makes an intrinsic value in each aesthetic experience. |
| A. | disinterested pleasure |
| B. | quantitative pleasure |
| C. | subjective pleasure |
| D. | individualistic enjoyment |
| Answer» A. disinterested pleasure | |
| 164. |
Among modern thinkers who identified aesthetic experience as disinterested pleasure. |
| A. | hegel |
| B. | freud |
| C. | marx |
| D. | hutcheson |
| Answer» D. hutcheson | |
| 165. |
Hutcheson emphasized the need of a/an ---------------- for acquiring aesthetic experience. |
| A. | common sense |
| B. | inner sense |
| C. | contemplative mind |
| D. | intuitive sense |
| Answer» B. inner sense | |
| 166. |
Kant called the object of disinterested satisfaction as: |
| A. | art |
| B. | charming |
| C. | music |
| D. | beautiful |
| Answer» D. beautiful | |
| 167. |
‘Art is an experience in its most articulate and adequate form’. Who proposed this view? |
| A. | kant |
| B. | hutcheson |
| C. | john dewey |
| D. | marx |
| Answer» C. john dewey | |
| 168. |
The linguistic expression of aesthetic experience is called: |
| A. | aesthetic statement |
| B. | aesthetic judgment |
| C. | aesthetic assertion |
| D. | aesthetic |
| Answer» B. aesthetic judgment | |
| 169. |
The terms such as beautiful, attractive, pretty, grand and sublime, etc. are commonly called: |
| A. | aesthetic terms |
| B. | aesthetic words |
| C. | aesthetic symbols |
| D. | aesthetic |
| Answer» D. aesthetic | |
| 170. |
--------------------- is an expression of how the thing appears to us. |
| A. | aesthetic experience |
| B. | aesthetic judgment |
| C. | aesthetic appreciation |
| Answer» B. aesthetic judgment | |
| 171. |
The terms used for expressing our appreciation are called: |
| A. | aesthetic predicates |
| B. | aesthetic terms |
| C. | aesthetic words |
| D. | aesthetic |
| Answer» A. aesthetic predicates | |
| 172. |
Which is treated as a negative aesthetic predicate? |
| A. | unique |
| B. | grotesque |
| C. | expressive |
| D. | charming |
| Answer» B. grotesque | |
| 173. |
Who emphasis the role of economic structure in the process of creation of a work of art and also appreciation of the same? |
| A. | idealists |
| B. | rationalists |
| C. | formalists |
| D. | marxists |
| Answer» D. marxists | |
| 174. |
What is common between the moral and aesthetic judgments? |
| A. | the analytical nature |
| B. | the evaluative character |
| C. | the speculative nature |
| D. | the explanatory character |
| Answer» B. the evaluative character | |
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