McqMate
| 1. |
Structure of script |
| A. | dialogue and description |
| B. | elements of design |
| C. | design of characters |
| D. | none of the above |
| Answer» A. dialogue and description | |
| 2. |
Transition |
| A. | these describe the style in which one scene becomes the next |
| B. | transmission |
| C. | broadcast |
| D. | none of the above |
| Answer» A. these describe the style in which one scene becomes the next | |
| 3. |
Trailer |
| A. | theatrical advertisement for an upcoming film |
| B. | news reel |
| C. | trolley |
| D. | none of the above |
| Answer» A. theatrical advertisement for an upcoming film | |
| 4. |
SUPER |
| A. | abbreviation for superimpose |
| B. | super star |
| C. | super picture |
| D. | none of the above |
| Answer» A. abbreviation for superimpose | |
| 5. |
Screenplay |
| A. | a specific script |
| B. | play back |
| C. | one line script |
| D. | none of the above |
| Answer» A. a specific script | |
| 6. |
SPLIT SCREEN SHOT: |
| A. | the space of the frame is split into more frames |
| B. | splitting of pages |
| C. | splitting of scenes |
| D. | none of the above |
| Answer» A. the space of the frame is split into more frames | |
| 7. |
Shooting Script |
| A. | final draft used on set by the production people |
| B. | script prepared during shooting |
| C. | a review of script |
| D. | none of the above |
| Answer» A. final draft used on set by the production people | |
| 8. |
Slug Line |
| A. | beginning of a scene that briefly describes the location and time of day |
| B. | sub title |
| C. | closing film |
| D. | captions |
| Answer» A. beginning of a scene that briefly describes the location and time of day | |
| 9. |
Montage |
| A. | a series of images showing a theme |
| B. | historic scene |
| C. | insert frame |
| D. | none of the above |
| Answer» A. a series of images showing a theme | |
| 10. |
LAP DISSOLVE: |
| A. | fading out one shot while the next one grows clearer |
| B. | last shot |
| C. | beginning shot |
| D. | none of the above |
| Answer» A. fading out one shot while the next one grows clearer | |
| 11. |
Encoding |
| A. | convert text to code |
| B. | convert code to text |
| C. | convert to code to another code |
| D. | none of the above |
| Answer» A. convert text to code | |
| 12. |
Intercutting |
| A. | at a point, two scenes will be shown a few moments each, back and forth |
| B. | cut between shots |
| C. | clapping |
| D. | none of the above |
| Answer» A. at a point, two scenes will be shown a few moments each, back and forth | |
| 13. |
Feature Film |
| A. | any film at least one hour long that people pay to see |
| B. | documentary |
| C. | advertorial |
| D. | none of the above |
| Answer» A. any film at least one hour long that people pay to see | |
| 14. |
Final Draft |
| A. | writers last rewrite of a script |
| B. | drafting |
| C. | fair copy |
| D. | shooting script |
| Answer» A. writers last rewrite of a script | |
| 15. |
Dialog |
| A. | people are supposed to say according to the script |
| B. | discussion with script writer and director |
| C. | title card |
| D. | none of the above |
| Answer» A. people are supposed to say according to the script | |
| 16. |
Director |
| A. | head of an institution |
| B. | person converting a script into a movie. |
| C. | set designer |
| D. | none of the above |
| Answer» B. person converting a script into a movie. | |
| 17. |
Beat |
| A. | the actor should pause a moment, in silence, before continuing the scene |
| B. | statement |
| C. | interview |
| D. | none of the above. |
| Answer» A. the actor should pause a moment, in silence, before continuing the scene | |
| 18. |
In TV interview double look means__________________________ |
| A. | the gaze of the interviewer towards interviewed |
| B. | looking only at the person being interviewed |
| C. | looking at both the interviewer and camera lens |
| D. | none of the above |
| Answer» A. the gaze of the interviewer towards interviewed | |
| 19. |
Bert Haanstra’s classic documentary___________________ documents Holland’s struggle against the sea |
| A. | delta project |
| B. | delta finale |
| C. | delta phase i |
| D. | the eastern scheldt |
| Answer» C. delta phase i | |
| 20. |
The classical Italian neo-realist film, The Bicycle Thief (1948), directed by Vittorio DeSica was scripted by___________________________ |
| A. | vittoria desica |
| B. | cesare zavatini |
| C. | roberto rossellini |
| D. | michelangelo antonioni |
| Answer» A. vittoria desica | |
| 21. |
_______________________was the first film maker who introduced parallel action editing (cross-cut) to heighten the anxiety of the audience |
| A. | cecil hepworth |
| B. | d.w. griffith |
| C. | mack sennette |
| D. | stuart blackton |
| Answer» B. d.w. griffith | |
| 22. |
Story board narrates the story of the movie through____________________ |
| A. | rough sketches |
| B. | film strips |
| C. | story synopsis |
| D. | comic strips |
| Answer» A. rough sketches | |
| 23. |
Treatment, a terminology in cinema means____________________ |
| A. | synopsis of a film |
| B. | a proposal for the production of a film |
| C. | a short written outline of a film specifying how the story is to be told |
| D. | summary of the story |
| Answer» C. a short written outline of a film specifying how the story is to be told | |
| 24. |
Sir David Attenborough is a renowned |
| A. | script writer |
| B. | film editor |
| C. | feature film director |
| D. | video documentary director |
| Answer» D. video documentary director | |
| 25. |
Property of media production |
| A. | non- movable property |
| B. | land property |
| C. | portable objects on a set. |
| D. | none of the above |
| Answer» C. portable objects on a set. | |
| 26. |
Docu-drama |
| A. | fictionalized drama based on actual events |
| B. | a modern drama |
| C. | documentary |
| D. | none of the above |
| Answer» A. fictionalized drama based on actual events | |
| 27. |
Quantitative research |
| A. | numerical analysis |
| B. | using old documents |
| C. | a systematic analysis written work |
| D. | none of the above |
| Answer» A. numerical analysis | |
| 28. |
Content Analysis |
| A. | a systematic analysis written work, speech, or film |
| B. | numerical analysis |
| C. | quantitative analysis |
| D. | none of the above |
| Answer» A. a systematic analysis written work, speech, or film | |
| 29. |
Creating a storyboard of a video programme is usually at |
| A. | production stage |
| B. | after the shoot |
| C. | pre-production stage |
| D. | scripting stage |
| Answer» C. pre-production stage | |
| 30. |
Soap Opera |
| A. | serial drama, on television |
| B. | russian opera |
| C. | italian opera |
| D. | none of the above |
| Answer» A. serial drama, on television | |
| 31. |
Story board |
| A. | script |
| B. | pre visualization sequence |
| C. | clap board |
| D. | condense of a story |
| Answer» B. pre visualization sequence | |
| 32. |
ENG |
| A. | english news group |
| B. | electronic news gathering |
| C. | electronic news group |
| D. | english news gathering |
| Answer» B. electronic news gathering | |
| 33. |
A TV producer is not supposed to |
| A. | be present during the recording of a sit.com |
| B. | oversee the editing process |
| C. | edit and rewrite the script |
| D. | prepare final vtr for the purpose of broadcasting |
| Answer» D. prepare final vtr for the purpose of broadcasting | |
| 34. |
Programmes genre where the unscripted behavior of ordinary people are the focus of interest is known as |
| A. | actuality footage |
| B. | reality television |
| C. | naturalism |
| D. | real tv |
| Answer» B. reality television | |
| 35. |
The number of minutes of tape used to shoot a sequence compared to the screen time of the finished product is known as |
| A. | shooting ratio |
| B. | canning ratio |
| C. | fog index |
| D. | screen index |
| Answer» A. shooting ratio | |
| 36. |
Lip-sync is a term used in |
| A. | dubbing |
| B. | lighting |
| C. | rehearsals |
| D. | makeup |
| Answer» A. dubbing | |
| 37. |
Program genres where the unscripted behaviors of ordinary people are the focus of interest is known as |
| A. | realism |
| B. | actuality footage |
| C. | naturalism |
| D. | reality tv |
| Answer» B. actuality footage | |
| 38. |
………………. is not a type of liner editing |
| A. | assemble editing |
| B. | insert editing |
| C. | a/b roll editing |
| D. | slide editing |
| Answer» C. a/b roll editing | |
| 39. |
……………….. is not a type of liner editing |
| A. | assemble editing |
| B. | insert editing |
| C. | a/b roll editing |
| D. | slide editing |
| Answer» C. a/b roll editing | |
| 40. |
Film strip normally runs at a speed of ________ per second. |
| A. | 24 frames |
| B. | 25 frames |
| C. | 30 frames |
| D. | 16 frames |
| Answer» A. 24 frames | |
| 41. |
Camera angles, continuity, cutting, close – ups and _________ are the five C’s of Cinematography |
| A. | compulsion |
| B. | calculation |
| C. | co-operation |
| D. | composition |
| Answer» B. calculation | |
| 42. |
The video effect that slowly replaces one image on the screen with another is known as___________ |
| A. | bumper |
| B. | bridge |
| C. | dissolve |
| D. | crash |
| Answer» C. dissolve | |
| 43. |
Which of the following is not part of the five C’s of cinematography |
| A. | compulsion |
| B. | camera angles |
| C. | cutting |
| D. | composition |
| Answer» D. composition | |
| 44. |
Candid pictures |
| A. | posed picture |
| B. | un posed pict |
| C. | group photo |
| D. | none of the above |
| Answer» B. un posed pict | |
| 45. |
Composition |
| A. | arrangements of camera parts |
| B. | pleasing arrangements of elements |
| C. | focusing |
| D. | none of the above |
| Answer» B. pleasing arrangements of elements | |
| 46. |
The first shot is a man looking up. The second shot is a low angle shot of a high rise apartment. The second shot is a _____________________________shot |
| A. | long shot |
| B. | mid – shot |
| C. | extreme long shot |
| D. | point - of – view |
| Answer» D. point - of – view | |
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