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1. |
Back lighting |
A. | light from the foreground |
B. | light behind camera |
C. | light behind the object |
D. | none of these |
Answer» C. light behind the object |
2. |
Colour noise |
A. | acuracy of signals |
B. | disturbance |
C. | vibration |
D. | none of the above |
Answer» A. acuracy of signals |
3. |
Composition |
A. | arrangements of camera parts |
B. | pleasing arrangements of elements |
C. | focusing |
D. | none of the above |
Answer» B. pleasing arrangements of elements |
4. |
Lenses are usually coated with |
A. | magnesium fluoride |
B. | sodium fluoride |
C. | zinc fluorite |
D. | none of these |
Answer» A. magnesium fluoride |
5. |
‘Camera’ is actually a Latin word meaning |
A. | picture box |
B. | room |
C. | light box |
D. | none of the above |
Answer» B. room |
6. |
Incident light |
A. | falls on the subject |
B. | is reflected from the subject |
C. | backlights the subject |
D. | none of these |
Answer» A. falls on the subject |
7. |
MFD stands for ________________ |
A. | minimum focusing distance |
B. | maximum focusing |
C. | distance minimum focusing direction |
D. | none of the above |
Answer» A. minimum focusing distance |
8. |
Wide angle lens |
A. | focal length is smaller |
B. | focal length is longer |
C. | large size of the lense |
D. | none of the above aspect ratio |
Answer» A. focal length is smaller |
9. |
key light |
A. | principle illuminator |
B. | back light |
C. | soft light |
D. | none of the above |
Answer» A. principle illuminator |
10. |
POV |
A. | point of view |
B. | picture of vision |
C. | photographs of visual |
D. | none of the above |
Answer» A. point of view |
11. |
Edison is considered the father of movie studio. His studio was known as ______________ |
A. | edison parlour |
B. | film strip parlour |
C. | black maria |
D. | black edison |
Answer» C. black maria |
12. |
The first shot is a man looking up. The second shot is a low angle shot of a high rise apartment. The second shot is a _____________________________shot |
A. | long shot |
B. | mid – shot |
C. | extreme long shot |
D. | point - of – view |
Answer» D. point - of – view |
13. |
A camera mounting that straps the camera to the body of the operator to keep the recorded image reasonably steady is known as _______________________ |
A. | steadicam |
B. | sturdycam |
C. | studycam |
D. | none of the above |
Answer» A. steadicam |
14. |
What is the angle of view on a fisheye lens? |
A. | 180 degrees |
B. | 225 degrees |
C. | 270 degrees |
D. | 290 degrees |
Answer» A. 180 degrees |
15. |
Parallax error is due to |
A. | your flash mis-timing |
B. | viewing and taking lenses being separate |
C. | flaws in ultra wide angle lenses |
D. | none of these |
Answer» B. viewing and taking lenses being separate |
16. |
Daylight colour film is balanced for light at |
A. | 3200 k |
B. | 3400 k |
C. | 5400 k |
D. | 3000 k |
Answer» C. 5400 k |
17. |
Circles of confusion are most prominent in |
A. | mirror lens |
B. | zoom lens |
C. | fisheye lens |
D. | none of these |
Answer» A. mirror lens |
18. |
What is ‘chiaroscuro’? |
A. | a lens aberration |
B. | a light and shade effect |
C. | warped negative film |
D. | none of these |
Answer» B. a light and shade effect |
19. |
What temperature should colour film be developed at? |
A. | 95 degrees celsius |
B. | 100 degrees celsius |
C. | 105 degrees celsius |
D. | none of these |
Answer» B. 100 degrees celsius |
20. |
Candela is the unit of: |
A. | illumination |
B. | luminous intensity |
C. | luminance |
D. | light energy |
Answer» C. luminance |
21. |
Visible spectrum of the light has a wavelength in the range of: A. 1000 to 4000 Ao B. 4000 to 7000 Ao C. 7500 to 12500 Ao D. 12500 to 30000 Ao 42. What is a ‘dolly’? |
A. | a heavy tripod |
B. | a remote flash |
C. | a camera case |
D. | none of these |
Answer» B. a remote flash |
22. |
Focal length |
A. | distance between film and centre of lens |
B. | distance between foreground and background |
C. | distance between object and film. |
D. | none of the above |
Answer» A. distance between film and centre of lens |
23. |
Fill-In-Light |
A. | back ground light |
B. | additional light to soften |
C. | natural light |
D. | none of the above |
Answer» B. additional light to soften |
24. |
Ambient light |
A. | available light at surrounding |
B. | backlight |
C. | artificial light |
D. | none of the above |
Answer» A. available light at surrounding |
25. |
Autofocus |
A. | lens automatically focus |
B. | manual focus |
C. | view finder focus |
D. | none of the above |
Answer» A. lens automatically focus |
26. |
Camera modes |
A. | portrait |
B. | lens |
C. | view finder |
D. | focal length |
Answer» A. portrait |
27. |
Amount of light that falls in to the sensor of the camera |
A. | exposure |
B. | white balance |
C. | depth of field |
D. | three point lighting |
Answer» A. exposure |
28. |
Contrast |
A. | balancing pixels |
B. | dealing with colour |
C. | scaling files |
D. | masking |
Answer» B. dealing with colour |
29. |
ENG |
A. | English News Group |
B. | Electronic News gathering |
C. | Electronic News Group |
D. | English News Gathering |
Answer» B. Electronic News gathering |
30. |
Aspect ratio |
A. | Proportion between width and height |
B. | Ratio of a video frame |
C. | Ratio of a monitor frame |
D. | None of the above |
Answer» A. Proportion between width and height |
31. |
Camera angles, continuity, cutting, close-ups and ……………………are the five C’s of Cinematography |
A. | Compulsion |
B. | calculation |
C. | co-operation |
D. | composition |
Answer» D. composition |
32. |
Film strip normally runs at a speed of _______________________________per second |
A. | 24 frames b) 25 frames |
C. | 30 frames |
D. | 16 frames |
Answer» A. 24 frames b) 25 frames |
33. |
A low angle shot emphasizes the _____________________________of the person in the shot |
A. | Brutal character |
B. | prominence |
C. | Idiotic nature |
D. | low class status |
Answer» B. prominence |
34. |
The adjustable flaps on a lighting instrument which control the throw of light is known as ____________________________________________ |
A. | Light flaps |
B. | adjusters |
C. | bouncers |
D. | barn door |
Answer» D. barn door |
35. |
Steadicam is_________________________________ |
A. | a device on which camera is mounted |
B. | a camera fitted to the body of a person who shoots |
C. | a device fitted to a camera for flexible shots |
D. | a small camera used during shoots for publicity shoots |
Answer» B. a camera fitted to the body of a person who shoots |
36. |
Jib arm is a/an________________________________ |
A. | Arm of the camera |
B. | transition device in video film editing |
C. | Device on which camera lens is mounted for flexible movement |
D. | None of the above |
Answer» C. Device on which camera lens is mounted for flexible movement |
37. |
_________________________is a device which converts motion picture film image into video |
A. | Cinetal |
B. | Telecine |
C. | Telepic |
D. | Motiontel |
Answer» B. Telecine |
38. |
“Kino-Pravda”, a newsreel of unstaged shots is produced by________________________ |
A. | V.I. Pudovkin |
B. | Siegfried Kracauer |
C. | Dziga Vertov |
D. | Mack Sennett |
Answer» C. Dziga Vertov |
39. |
The horizontal movement of the camera is called_______________________ |
A. | tilting |
B. | zooming |
C. | panning |
D. | dollying |
Answer» C. panning |
40. |
Which of the following is an ideal device on which camera can be mounted for taking various kinds of dynamic shots? |
A. | Dolly |
B. | Track |
C. | Crane |
D. | Jibarm |
Answer» D. Jibarm |
41. |
An establishing shot is______________________ |
A. | an extreme long shot |
B. | a wide angle shot |
C. | a mid shot |
D. | an extreme close-up |
Answer» B. a wide angle shot |
42. |
________________________ defines the place or setting where the action is laid |
A. | Scene |
B. | shot |
C. | Sequence |
D. | Take |
Answer» A. Scene |
43. |
A continuous view filmed by one camera with out interruption |
A. | Camera Angle |
B. | Shot |
C. | Aerial shot |
D. | None of the above |
Answer» B. Shot |
44. |
A ______________________________ is a series of scenes, or shots, complete in itself. |
A. | Sequence |
B. | take |
C. | tracking shot |
D. | none of the above |
Answer» A. Sequence |
45. |
An objective camera angle is referred to as____________________________________ |
A. | High angle |
B. | Low angle |
C. | Zoom - in angle |
D. | audience point of view |
Answer» D. audience point of view |
46. |
The first shot is a man looking up. The second shot is a low angle shot of a high rise apartment. The second shot is a _________________________________shot. |
A. | Long shot |
B. | mid – shot |
C. | Extreme long shot |
D. | point - of – view |
Answer» D. point - of – view |
47. |
In TV interview double look means___________________________________ |
A. | The gaze of the interviewer towards interviewed |
B. | Looking only at the person being interviewed |
C. | Looking at both the interviewer and camera lens |
D. | None of the above |
Answer» C. Looking at both the interviewer and camera lens |
48. |
AERIAL SHOT |
A. | shot be taken from a plane |
B. | Wide angle shot |
C. | Shot taken by macro lens |
D. | None of the above. |
Answer» A. shot be taken from a plane |
49. |
ANGLE ON |
A. | scenes taking place in large settings |
B. | Scene taking place in corner |
C. | Scene in a room |
D. | None of the above. |
Answer» A. scenes taking place in large settings |
50. |
Tripods |
A. | Portable three leg frame |
B. | Camera trolley with three wheels |
C. | Dolly |
D. | None of the above |
Answer» A. Portable three leg frame |
51. |
Track shot |
A. | Dolly |
B. | Trolly |
C. | Tripod |
D. | None of the above |
Answer» A. Dolly |
52. |
Wide angle lens |
A. | Focal length is smaller |
B. | Focal length is longer |
C. | Large size of the lens |
D. | None of the above |
Answer» A. Focal length is smaller |
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