McqMate
These multiple-choice questions (MCQs) are designed to enhance your knowledge and understanding in the following areas: Bachelor of Arts in Multimedia (BA Multimedia) .
| 1. |
CONTINUOUS |
| A. | action that moves from one location to another without any interruptions in time |
| B. | continuity |
| C. | page continuity |
| D. | none of the above |
| Answer» A. action that moves from one location to another without any interruptions in time | |
| 2. |
CRAWL |
| A. | superimposed titles move across on screen |
| B. | a camera movement |
| C. | an equipment |
| D. | a trolley. |
| Answer» A. superimposed titles move across on screen | |
| 3. |
CROSSFADE: |
| A. | fade to black then fade to next scene |
| B. | cross fire |
| C. | crossing of unwanted elements |
| D. | none of the above |
| Answer» A. fade to black then fade to next scene | |
| 4. |
Dialog |
| A. | people are supposed to say according to the script |
| B. | discussion with script writer and director |
| C. | title card |
| D. | none of the above |
| Answer» A. people are supposed to say according to the script | |
| 5. |
Director |
| A. | head of an institution |
| B. | person converting a script into a movie. |
| C. | set designer |
| D. | none of the above |
| Answer» B. person converting a script into a movie. | |
| 6. |
DISSOLVE TO |
| A. | a common transition |
| B. | dissolving materials |
| C. | solving an issue |
| D. | none of the above |
| Answer» A. a common transition | |
| 7. |
Dolly |
| A. | a mechanism for camera movement |
| B. | a chair carrying actors |
| C. | a game |
| D. | none of the above |
| Answer» A. a mechanism for camera movement | |
| 8. |
ESTABLISHING SHOT |
| A. | establishment |
| B. | beginning of a film to suggest where the story takes place |
| C. | final shot |
| D. | none of the above |
| Answer» B. beginning of a film to suggest where the story takes place | |
| 9. |
EXT. |
| A. | scene takes place out of doors |
| B. | extra actor |
| C. | extra properties |
| D. | none of the above |
| Answer» A. scene takes place out of doors | |
| 10. |
EXTREMELY LONG SHOT (XLS): |
| A. | very long distance from the subject or action |
| B. | panoramic shot |
| C. | close up shot |
| D. | none of the above |
| Answer» A. very long distance from the subject or action | |
| 11. |
FADE OUT |
| A. | image appear in to frame |
| B. | image slowly disappear to black |
| C. | image transit to another frame |
| D. | none of the above |
| Answer» B. image slowly disappear to black | |
| 12. |
DISSOLVE TO |
| A. | image appear in to frame |
| B. | image slowly disappear to black |
| C. | image transit to another frame |
| D. | none of the above |
| Answer» A. image appear in to frame | |
| 13. |
NEXT SCENE |
| A. | next chapter |
| B. | not the end of the movie, but end of a major movement |
| C. | next page |
| D. | none of the above |
| Answer» B. not the end of the movie, but end of a major movement | |
| 14. |
FAVOR ON |
| A. | a particular character or action is highlighted or "favored" in a shot |
| B. | in favor of |
| C. | favoring a character |
| D. | none of the above |
| Answer» A. a particular character or action is highlighted or "favored" in a shot | |
| 15. |
Feature Film |
| A. | any film at least one hour long that people pay to see |
| B. | documentary |
| C. | advertorial |
| D. | none of the above |
| Answer» A. any film at least one hour long that people pay to see | |
| 16. |
Final Draft |
| A. | writers last rewrite of a script |
| B. | drafting |
| C. | fair copy |
| D. | shooting script |
| Answer» A. writers last rewrite of a script | |
| 17. |
FREEZE FRAME: |
| A. | the picture stops moving, becoming a still for a period of time |
| B. | frame of mist or ice berg |
| C. | end of a movie |
| D. | none of the above |
| Answer» A. the picture stops moving, becoming a still for a period of time | |
| 18. |
INSERT |
| A. | a scene that must be given the camera\s full attention for a moment |
| B. | inserting a picture |
| C. | inserting a dialogue |
| D. | none of the above |
| Answer» A. a scene that must be given the camera\s full attention for a moment | |
| 19. |
INT. |
| A. | scene takes place indoors |
| B. | international movie |
| C. | interesting scene |
| D. | none of the above |
| Answer» A. scene takes place indoors | |
| 20. |
Intercutting |
| A. | at a point, two scenes will be shown a few moments each, back and forth |
| B. | cut between shots |
| C. | clapping |
| D. | none of the above |
| Answer» A. at a point, two scenes will be shown a few moments each, back and forth | |
| 21. |
Decoding |
| A. | convert text to code |
| B. | convert code to text |
| C. | convert to code to another code |
| D. | none of the above |
| Answer» B. convert code to text | |
| 22. |
IN to View |
| A. | to reveal more of the scene |
| B. | arial shot |
| C. | wide angle |
| D. | close up |
| Answer» A. to reveal more of the scene | |
| 23. |
Iris Out |
| A. | transition from one to another frame |
| B. | a black circle closes to end a scene |
| C. | fade in |
| D. | fade out |
| Answer» A. transition from one to another frame | |
| 24. |
wipe. |
| A. | erasing |
| B. | a transition |
| C. | cleaning |
| D. | none of the above |
| Answer» B. a transition | |
| 25. |
JUMP CUT TO: |
| A. | a transition |
| B. | action |
| C. | fight scene |
| D. | none of the above |
| Answer» A. a transition | |
| 26. |
LAP DISSOLVE: |
| A. | fading out one shot while the next one grows clearer |
| B. | last shot |
| C. | beginning shot |
| D. | none of the above |
| Answer» A. fading out one shot while the next one grows clearer | |
| 27. |
MATCH CUT TO: |
| A. | a transition often used to compare two completely unrelated objects |
| B. | cutting film |
| C. | removing |
| D. | none of the above |
| Answer» A. a transition often used to compare two completely unrelated objects | |
| 28. |
MATCH DISSOLVE TO |
| A. | fade in |
| B. | a match dissolve involves two objects of similar color, shape, |
| C. | not atransition |
| D. | none of the above |
| Answer» B. a match dissolve involves two objects of similar color, shape, | |
| 29. |
Montage |
| A. | a series of images showing a theme |
| B. | historic scene |
| C. | insert frame |
| D. | none of the above |
| Answer» A. a series of images showing a theme | |
| 30. |
MOS |
| A. | moment of silence |
| B. | movement of scene |
| C. | motion of systems |
| D. | none of the above |
| Answer» A. moment of silence | |
| 31. |
or O.C. |
| A. | off-screen or off-camera |
| B. | offset camera |
| C. | optical camera |
| D. | none of the above |
| Answer» A. off-screen or off-camera | |
| 32. |
Pan |
| A. | camera turning on a stationary axis |
| B. | trolley |
| C. | close up |
| D. | none of the above |
| Answer» A. camera turning on a stationary axis | |
| 33. |
Tripods |
| A. | portable three leg frame |
| B. | camera trolley with three wheels |
| C. | dolly |
| D. | none of the above |
| Answer» A. portable three leg frame | |
| 34. |
Track shot |
| A. | dolly |
| B. | trolly |
| C. | tripod |
| D. | none of the above |
| Answer» A. dolly | |
| 35. |
Wide angle lens |
| A. | focal length is smaller |
| B. | focal length is longer |
| C. | large size of the lense |
| D. | none of the above |
| Answer» A. focal length is smaller | |
| 36. |
story board |
| A. | illustrations in sequence |
| B. | story about released film |
| C. | advertorial |
| D. | none of the above |
| Answer» A. illustrations in sequence | |
| 37. |
Depth of field |
| A. | distance between the nearest and farthest objects |
| B. | depth of back ground |
| C. | depth of object |
| D. | none of the above |
| Answer» A. distance between the nearest and farthest objects | |
| 38. |
Aspect ratio |
| A. | ratio of width and height |
| B. | ratio of width and depth |
| C. | ratio of width and diagonal |
| D. | none of the above |
| Answer» A. ratio of width and height | |
| 39. |
key light |
| A. | principle illuminator |
| B. | back light |
| C. | soft light |
| D. | none of the above |
| Answer» A. principle illuminator | |
| 40. |
OB |
| A. | outside broadcasting |
| B. | original broadcasting |
| C. | offset broadcasting |
| D. | none of the above |
| Answer» A. outside broadcasting | |
| 41. |
Back lighting |
| A. | light from the foreground |
| B. | light behind camera |
| C. | light behind the object |
| D. | none of these |
| Answer» C. light behind the object | |
| 42. |
Colour noise |
| A. | acuracy of signals |
| B. | disturbance |
| C. | vibration |
| D. | none of the above |
| Answer» A. acuracy of signals | |
| 43. |
Composition |
| A. | arrangements of camera parts |
| B. | pleasing arrangements of elements |
| C. | focusing |
| D. | none of the above |
| Answer» B. pleasing arrangements of elements | |
| 44. |
Lenses are usually coated with |
| A. | magnesium fluoride |
| B. | sodium fluoride |
| C. | zinc fluorite |
| D. | none of these |
| Answer» A. magnesium fluoride | |
| 45. |
‘Camera’ is actually a Latin word meaning |
| A. | picture box |
| B. | room |
| C. | light box |
| D. | none of the above |
| Answer» B. room | |
| 46. |
Incident light |
| A. | falls on the subject |
| B. | is reflected from the subject |
| C. | backlights the subject |
| D. | none of these |
| Answer» A. falls on the subject | |
| 47. |
MFD stands for ________________ |
| A. | minimum focusing distance |
| B. | maximum focusing |
| C. | distance minimum focusing direction |
| D. | none of the above |
| Answer» A. minimum focusing distance | |
| 48. |
Wide angle lens |
| A. | focal length is smaller |
| B. | focal length is longer |
| C. | large size of the lense |
| D. | none of the aboveaspect ratio |
| Answer» A. focal length is smaller | |
| 49. |
POV |
| A. | point of view |
| B. | picture of vision |
| C. | photographs of visual |
| D. | none of the above |
| Answer» A. point of view | |
| 50. |
Edison is considered the father of movie studio. His studio was known as ______________ |
| A. | edison parlour |
| B. | film strip parlour |
| C. | black maria |
| D. | black edison |
| Answer» C. black maria | |
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