McqMate
1. |
CONTINUOUS |
A. | action that moves from one location to another without any interruptions in time |
B. | continuity |
C. | page continuity |
D. | none of the above |
Answer» A. action that moves from one location to another without any interruptions in time |
2. |
CRAWL |
A. | superimposed titles move across on screen |
B. | a camera movement |
C. | an equipment |
D. | a trolley. |
Answer» A. superimposed titles move across on screen |
3. |
CROSSFADE: |
A. | fade to black then fade to next scene |
B. | cross fire |
C. | crossing of unwanted elements |
D. | none of the above |
Answer» A. fade to black then fade to next scene |
4. |
Dialog |
A. | people are supposed to say according to the script |
B. | discussion with script writer and director |
C. | title card |
D. | none of the above |
Answer» A. people are supposed to say according to the script |
5. |
Director |
A. | head of an institution |
B. | person converting a script into a movie. |
C. | set designer |
D. | none of the above |
Answer» B. person converting a script into a movie. |
6. |
DISSOLVE TO |
A. | a common transition |
B. | dissolving materials |
C. | solving an issue |
D. | none of the above |
Answer» A. a common transition |
7. |
Dolly |
A. | a mechanism for camera movement |
B. | a chair carrying actors |
C. | a game |
D. | none of the above |
Answer» A. a mechanism for camera movement |
8. |
ESTABLISHING SHOT |
A. | establishment |
B. | beginning of a film to suggest where the story takes place |
C. | final shot |
D. | none of the above |
Answer» B. beginning of a film to suggest where the story takes place |
9. |
EXT. |
A. | scene takes place out of doors |
B. | extra actor |
C. | extra properties |
D. | none of the above |
Answer» A. scene takes place out of doors |
10. |
EXTREMELY LONG SHOT (XLS): |
A. | very long distance from the subject or action |
B. | panoramic shot |
C. | close up shot |
D. | none of the above |
Answer» A. very long distance from the subject or action |
11. |
FADE OUT |
A. | image appear in to frame |
B. | image slowly disappear to black |
C. | image transit to another frame |
D. | none of the above |
Answer» B. image slowly disappear to black |
12. |
DISSOLVE TO |
A. | image appear in to frame |
B. | image slowly disappear to black |
C. | image transit to another frame |
D. | none of the above |
Answer» A. image appear in to frame |
13. |
NEXT SCENE |
A. | next chapter |
B. | not the end of the movie, but end of a major movement |
C. | next page |
D. | none of the above |
Answer» B. not the end of the movie, but end of a major movement |
14. |
FAVOR ON |
A. | a particular character or action is highlighted or "favored" in a shot |
B. | in favor of |
C. | favoring a character |
D. | none of the above |
Answer» A. a particular character or action is highlighted or "favored" in a shot |
15. |
Feature Film |
A. | any film at least one hour long that people pay to see |
B. | documentary |
C. | advertorial |
D. | none of the above |
Answer» A. any film at least one hour long that people pay to see |
16. |
Final Draft |
A. | writers last rewrite of a script |
B. | drafting |
C. | fair copy |
D. | shooting script |
Answer» A. writers last rewrite of a script |
17. |
FREEZE FRAME: |
A. | the picture stops moving, becoming a still for a period of time |
B. | frame of mist or ice berg |
C. | end of a movie |
D. | none of the above |
Answer» A. the picture stops moving, becoming a still for a period of time |
18. |
INSERT |
A. | a scene that must be given the camera\s full attention for a moment |
B. | inserting a picture |
C. | inserting a dialogue |
D. | none of the above |
Answer» A. a scene that must be given the camera\s full attention for a moment |
19. |
INT. |
A. | scene takes place indoors |
B. | international movie |
C. | interesting scene |
D. | none of the above |
Answer» A. scene takes place indoors |
20. |
Intercutting |
A. | at a point, two scenes will be shown a few moments each, back and forth |
B. | cut between shots |
C. | clapping |
D. | none of the above |
Answer» A. at a point, two scenes will be shown a few moments each, back and forth |
21. |
Decoding |
A. | convert text to code |
B. | convert code to text |
C. | convert to code to another code |
D. | none of the above |
Answer» B. convert code to text |
22. |
IN to View |
A. | to reveal more of the scene |
B. | arial shot |
C. | wide angle |
D. | close up |
Answer» A. to reveal more of the scene |
23. |
Iris Out |
A. | transition from one to another frame |
B. | a black circle closes to end a scene |
C. | fade in |
D. | fade out |
Answer» A. transition from one to another frame |
24. |
wipe. |
A. | erasing |
B. | a transition |
C. | cleaning |
D. | none of the above |
Answer» B. a transition |
25. |
JUMP CUT TO: |
A. | a transition |
B. | action |
C. | fight scene |
D. | none of the above |
Answer» A. a transition |
26. |
LAP DISSOLVE: |
A. | fading out one shot while the next one grows clearer |
B. | last shot |
C. | beginning shot |
D. | none of the above |
Answer» A. fading out one shot while the next one grows clearer |
27. |
MATCH CUT TO: |
A. | a transition often used to compare two completely unrelated objects |
B. | cutting film |
C. | removing |
D. | none of the above |
Answer» A. a transition often used to compare two completely unrelated objects |
28. |
MATCH DISSOLVE TO |
A. | fade in |
B. | a match dissolve involves two objects of similar color, shape, |
C. | not atransition |
D. | none of the above |
Answer» B. a match dissolve involves two objects of similar color, shape, |
29. |
Montage |
A. | a series of images showing a theme |
B. | historic scene |
C. | insert frame |
D. | none of the above |
Answer» A. a series of images showing a theme |
30. |
MOS |
A. | moment of silence |
B. | movement of scene |
C. | motion of systems |
D. | none of the above |
Answer» A. moment of silence |
31. |
or O.C. |
A. | off-screen or off-camera |
B. | offset camera |
C. | optical camera |
D. | none of the above |
Answer» A. off-screen or off-camera |
32. |
Pan |
A. | camera turning on a stationary axis |
B. | trolley |
C. | close up |
D. | none of the above |
Answer» A. camera turning on a stationary axis |
33. |
Tripods |
A. | portable three leg frame |
B. | camera trolley with three wheels |
C. | dolly |
D. | none of the above |
Answer» A. portable three leg frame |
34. |
Track shot |
A. | dolly |
B. | trolly |
C. | tripod |
D. | none of the above |
Answer» A. dolly |
35. |
Wide angle lens |
A. | focal length is smaller |
B. | focal length is longer |
C. | large size of the lense |
D. | none of the above |
Answer» A. focal length is smaller |
36. |
story board |
A. | illustrations in sequence |
B. | story about released film |
C. | advertorial |
D. | none of the above |
Answer» A. illustrations in sequence |
37. |
Depth of field |
A. | distance between the nearest and farthest objects |
B. | depth of back ground |
C. | depth of object |
D. | none of the above |
Answer» A. distance between the nearest and farthest objects |
38. |
Aspect ratio |
A. | ratio of width and height |
B. | ratio of width and depth |
C. | ratio of width and diagonal |
D. | none of the above |
Answer» A. ratio of width and height |
39. |
key light |
A. | principle illuminator |
B. | back light |
C. | soft light |
D. | none of the above |
Answer» A. principle illuminator |
40. |
OB |
A. | outside broadcasting |
B. | original broadcasting |
C. | offset broadcasting |
D. | none of the above |
Answer» A. outside broadcasting |
41. |
Back lighting |
A. | light from the foreground |
B. | light behind camera |
C. | light behind the object |
D. | none of these |
Answer» C. light behind the object |
42. |
Colour noise |
A. | acuracy of signals |
B. | disturbance |
C. | vibration |
D. | none of the above |
Answer» A. acuracy of signals |
43. |
Composition |
A. | arrangements of camera parts |
B. | pleasing arrangements of elements |
C. | focusing |
D. | none of the above |
Answer» B. pleasing arrangements of elements |
44. |
Lenses are usually coated with |
A. | magnesium fluoride |
B. | sodium fluoride |
C. | zinc fluorite |
D. | none of these |
Answer» A. magnesium fluoride |
45. |
‘Camera’ is actually a Latin word meaning |
A. | picture box |
B. | room |
C. | light box |
D. | none of the above |
Answer» B. room |
46. |
Incident light |
A. | falls on the subject |
B. | is reflected from the subject |
C. | backlights the subject |
D. | none of these |
Answer» A. falls on the subject |
47. |
MFD stands for ________________ |
A. | minimum focusing distance |
B. | maximum focusing |
C. | distance minimum focusing direction |
D. | none of the above |
Answer» A. minimum focusing distance |
48. |
Wide angle lens |
A. | focal length is smaller |
B. | focal length is longer |
C. | large size of the lense |
D. | none of the aboveaspect ratio |
Answer» A. focal length is smaller |
49. |
POV |
A. | point of view |
B. | picture of vision |
C. | photographs of visual |
D. | none of the above |
Answer» A. point of view |
50. |
Edison is considered the father of movie studio. His studio was known as ______________ |
A. | edison parlour |
B. | film strip parlour |
C. | black maria |
D. | black edison |
Answer» C. black maria |
51. |
The first shot is a man looking up. The second shot is a low angle shot of a high rise apartment. The second shot is a _____________________________shot |
A. | long shot |
B. | mid – shot |
C. | extreme long shot |
D. | point - of – view |
Answer» D. point - of – view |
52. |
A camera mounting that straps the camera to the body of the operator to keep the recorded image reasonably steady is known as _______________________ |
A. | steadicam |
B. | sturdycam |
C. | studycam |
D. | none of the above |
Answer» A. steadicam |
53. |
ENG |
A. | english news group |
B. | electronic news gathering |
C. | electronic news group |
D. | english news gathering |
Answer» B. electronic news gathering |
54. |
Aspect ratio |
A. | proportion between width and height |
B. | ratio of a video frame |
C. | ratio of a monitor frame |
D. | none of the above |
Answer» A. proportion between width and height |
55. |
Camera angles, continuity, cutting, close-ups and ……………………are the five C’s of Cinematography |
A. | compulsion |
B. | calculation |
C. | co-operation |
D. | composition |
Answer» D. composition |
56. |
Film strip normally runs at a speed of _______________________________per second |
A. | 24 frames b) 25 frames |
C. | 30 frames |
D. | 16 frames |
Answer» A. 24 frames b) 25 frames |
57. |
A low angle shot emphasizes the _____________________________of the person in the shot |
A. | brutal character |
B. | prominence |
C. | idiotic nature |
D. | low class status |
Answer» B. prominence |
58. |
Steadicam is_________________________________ |
A. | a device on which camera is mounted |
B. | a camera fitted to the body of a person who shoots |
C. | a device fitted to a camera for flexible shots |
D. | a small camera used during shoots for publicity shoots |
Answer» B. a camera fitted to the body of a person who shoots |
59. |
Jib arm is a/an________________________________ |
A. | arm of the camera |
B. | transition device in video film editing |
C. | device on which camera lens is mounted for flexible movement |
D. | none of the above |
Answer» C. device on which camera lens is mounted for flexible movement |
60. |
_________________________is a device which converts motion picture film image into video |
A. | cinetal |
B. | telecine |
C. | telepic |
D. | motiontel |
Answer» B. telecine |
61. |
“Kino-Pravda”, a newsreel of unstaged shots is produced by________________________ |
A. | v.i. pudovkin |
B. | siegfried kracauer |
C. | dzigavertov |
D. | mack sennett |
Answer» C. dzigavertov |
62. |
The horizontal movement of the camera is called_______________________ |
A. | tilting |
B. | zooming |
C. | panning |
D. | dollying |
Answer» C. panning |
63. |
Which of the following is an ideal device on which camera can be mounted for taking variouskinds of dynamic shots? |
A. | dolly |
B. | track |
C. | crane |
D. | jibarm |
Answer» D. jibarm |
64. |
An establishing shot is______________________ |
A. | an extreme long shot |
B. | a wide angle shot |
C. | a mid shot |
D. | an extreme close-up |
Answer» B. a wide angle shot |
65. |
________________________ defines the place or setting where the action is laid |
A. | scene |
B. | shot |
C. | sequence |
D. | take |
Answer» A. scene |
66. |
A continuous view filmed by one camera with out interruption |
A. | camera angle |
B. | shot |
C. | aerial shot |
D. | none of the above |
Answer» B. shot |
67. |
A ______________________________ is a series of scenes, or shots, complete in itself. |
A. | sequence |
B. | take |
C. | tracking shot |
D. | none of the above |
Answer» A. sequence |
68. |
An objective camera angle is referred to as____________________________________ |
A. | high angle |
B. | low angle |
C. | zoom - in angle |
D. | audience point of view |
Answer» D. audience point of view |
69. |
The first shot is a man looking up. The second shot is a low angle shot of a high rise apartment.The second shot is a _________________________________shot. |
A. | long shot |
B. | mid – shot |
C. | extreme long shot |
D. | point - of – view |
Answer» D. point - of – view |
70. |
In TV interview double look means___________________________________ |
A. | the gaze of the interviewer towards interviewed |
B. | looking only at the person being interviewed |
C. | looking at both the interviewer and camera lens |
D. | none of the above |
Answer» C. looking at both the interviewer and camera lens |
71. |
What is the angle of view on a fisheye lens? |
A. | 180 degrees |
B. | 225 degrees |
C. | 270 degrees |
D. | 290 degrees |
Answer» A. 180 degrees |
72. |
Daylight colour film is balanced for light at |
A. | 3200 k |
B. | 3400 k |
C. | 5400 k |
D. | 3000 k |
Answer» C. 5400 k |
73. |
Circles of confusion are most prominent in |
A. | mirror lens |
B. | zoom lens |
C. | fisheye lens |
D. | none of these |
Answer» A. mirror lens |
74. |
What is ‘chiaroscuro’? |
A. | a lens aberration |
B. | a light and shade effect |
C. | warped negative film |
D. | none of these |
Answer» B. a light and shade effect |
75. |
What temperature should colour film be developed at? |
A. | 95 degrees celsius |
B. | 100 degrees celsius |
C. | 105 degrees celsius |
D. | none of these |
Answer» B. 100 degrees celsius |
76. |
Candela is the unit of: |
A. | illumination |
B. | luminous intensity |
C. | luminance |
D. | light energy |
Answer» C. luminance |
77. |
Visible spectrum of the light has a wavelength in the range of: |
A. | 1000 to 4000 ao |
B. | 4000 to 7000 ao |
C. | 7500 to 12500 ao |
D. | 12500 to 30000 ao |
Answer» B. 4000 to 7000 ao |
78. |
What is a ‘dolly’? |
A. | a heavy tripod |
B. | a remote flash |
C. | a camera case |
D. | none of these |
Answer» A. a heavy tripod |
79. |
Focal length |
A. | distance between film and centre of lens |
B. | distance between foreground and background |
C. | distance between object and film. |
D. | none of the above |
Answer» A. distance between film and centre of lens |
80. |
Fill-In-Light |
A. | back ground light |
B. | additional light to soften |
C. | natural light |
D. | none of the above |
Answer» B. additional light to soften |
81. |
Ambient light |
A. | available light at surrounding |
B. | backlight |
C. | artificial light |
D. | none of the above |
Answer» A. available light at surrounding |
82. |
Autofocus |
A. | lens automatically focus |
B. | manual focus |
C. | view finder focus |
D. | none of the above |
Answer» A. lens automatically focus |
83. |
Camera modes |
A. | portrait |
B. | lens |
C. | view finder |
D. | focal length |
Answer» A. portrait |
84. |
Aperture: |
A. | controls the size of the hole |
B. | controls speed of shoot |
C. | controls ccd |
D. | none of the above |
Answer» A. controls the size of the hole |
85. |
Amount of light that falls in to the sensor of the camera |
A. | exposure |
B. | white balance |
C. | depth of field |
D. | three point lighting |
Answer» A. exposure |
86. |
Contrast |
A. | balancing pixels |
B. | dealing with colour |
C. | scaling files |
D. | masking |
Answer» B. dealing with colour |
87. |
AERIAL SHOT |
A. | shot be taken from a plane |
B. | wide angle shot |
C. | shot taken by macro lens |
D. | none of the above. |
Answer» A. shot be taken from a plane |
88. |
ANGLE ON |
A. | scenes taking place in large settings |
B. | scene taking place in corner |
C. | scene in a room |
D. | none of the above. |
Answer» A. scenes taking place in large settings |
89. |
Wide angle lens |
A. | focal length is smaller |
B. | focal length is longer |
C. | large size of the lens |
D. | none of the above |
Answer» A. focal length is smaller |
90. |
Creating a storyboard of a video programme is usually at |
A. | production stage |
B. | after the shoot |
C. | pre production stage |
D. | scripting stage |
Answer» C. pre production stage |
91. |
High angle shot indicates that the camera is positioned …………the subject |
A. | below |
B. | above |
C. | at the eye level |
D. | opposite |
Answer» B. above |
92. |
_________ light method measures light intensity falling upon a subject from each lamp direction in turn. |
A. | incident |
B. | reflected |
C. | surface brightness |
D. | none of the above |
Answer» A. incident |
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